-adaptive-blur radius[xsigma]

-adaptive-resize geometry

-adaptive-sharpen radius[xsigma]

-adjoin

-affine s_x,r_x,r_y,s_y,t_x,t_y
-affine s_x,r_x,r_y,s_y

-alpha type

-annotate degrees text
-annotate XdegreesxYdegrees text
-annotate XdegreesxYdegrees {+-}t_x{+-}t_y text

-antialias

-append

-attenuate value

-authenticate password

-auto-gamma

-auto-level

-auto-orient

-average

-backdrop

-background color

-bench iterations

-bias value{%}

-black-point-compensation

-black-threshold value{%}

-blend percent

-blue-primary x,y

-blue-shift factor

Reduce image noise and reduce detail levels.

Convolve the image with a Gaussian or normal distribution. The formula is:

Where r is the blur radius (r² = u² + v²), and σ is the standard deviation of the Gaussian distribution. As a guideline, set r to approximately 3σ. If a radius of 0 is specified, ImageMagick selects a suitable radius for you.

This option differs from -gaussian-blur simply by taking advantage of the separability properties of the distribution. Here we apply a single-dimensional Gaussian matrix in the horizontal direction, then repeat the process in the vertical direction.

The -virtual-pixel setting will determine how pixels which are outside the image proper are blurred into the final result.

Variably blur and image according to the overlay mapping.

[composite]

Each pixel in the overlaid region is replaced with an Elliptical Weighted Average (EWA) of the source image, scaled according to the grayscale mapping.

The ellipse is weighted with sigma set to the given Width and Height. The Height defaults to the Width for a normal circular Guassian weighting. The Angle will rotate the ellipse from horizontal clock-wise.

The -virtual-pixel setting will determine how pixels which are outside the image proper are blurred into the final result.

Surround the image with a border of color.

Set the width and height using the size portion of the gravity argument. See Image Geometry for complete details about the geometry argument. Offsets are ignored.

Set the border color by preceding with the -bordercolor setting.

See also the -frame option, which has more functionality.

Set the border color.

The color is specified using the format described under the -fill option.

The default border color is #DFDFDF, this shade of gray.

Set the border width.

[animate, display]

(This option has been replaced by the -limit option.)

Assign a caption to an image.

color correct with a color decision list.

Here is an example color correction collection:

<?xml version="1.0" encoding="UTF-8"?>
<ColorCorrectionCollection xmlns="urn:ASC:CDL:v1.2">
  <ColorCorrection id="cc06668">
    <SOPNode>
      <Slope> 0.9 1.2 0.5 </Slope>
      <Offset> 0.4 -0.5 0.6 </Offset>
      <Power> 1.0 0.8 1.5 </Power>
    </SOPNode>
    <SATNode>
      <Saturation> 0.85 </Saturation>
    </SATNode>
  </ColorCorrection>
</ColorCorrectionCollection>

Specify those image color channels to which subsequent operators are limited.

Choose from: Red, Green, Blue, Alpha, Cyan, Magenta, Yellow, Black, Opacity, Index, RGB, RGBA, CMYK, or CMYKA.

To print a complete list of channel types, use -list channel.

The channels above can be specified as a comma-separated list or can be abbreviated as a concatenation of the letters 'R', 'G', 'B', 'A', 'O', 'C', 'M', 'Y', 'K'. For example, to negate only the alpha channel of an image, use

-channel Alpha -negate

Some operators also allow the use of a special channel flag 'sync'. If present operators that understand this flag will apply the exact same image modification to all the image channels in the image so as to ensure that colors are kept 'in-sync'. Without this flag such operators will apply there function to each channel separately. See -auto-level and -auto-gamma for examples of such an operator.

By default, ImageMagick sets -channel to the value 'RGB,sync', which specifies that operators act on all channels except the opacity channel, and that all the color channels are to be modified in exactly the same way. The 'plus' form +channel will reset the value back to this default.

Options that are affected by the -channel setting include the following. -auto-gamma, -auto-level, -black-threshold, -blur, -clamp, -clut, -combine, -contrast-stretch, -evaluate, -function, -fx, -gaussian-blur, -hald-clut, -motion-blur, -negate, -normalize, -ordered-dither, -radial-blur, -random-threshold, -separate, and -threshold, and -white-threshold.

Warning, some operators behave differentally when the +channel default setting is in effect, verses ANY user defined -channel setting (including the equivelent of the default). For example -threshold will by default gray-scale the image before thresholding, if no -channel setting has been defined.

Also some operators such as -blur, -gaussian-blur, will modify their handling of the color channels if the 'alpha' channel is also enabled by -channel. Generally this done to ensure that fully-transparent colors are treated as being fully-transparent, and thus any underlying 'hidden' color has no effect on the final results. Typically resulting in 'halo' effects.

As a alpha channel is optional within images some operators will read the color channels of an image as a greyscale alpha mask, when the image has no alpha channel present, but the -channel setting tells the operator to apply the alpha channel. The -clut operator is a good example of this.

Restrict image colors from 0 to the quantum depth.

Simulate a charcoal drawing.

Remove pixels from the interior of an image.

See Image Geometry for complete details about the geometry argument. The width and height given in the of the size portion of the geometry argument give the number of columns and rows to remove. The offset portion of the geometry argument is influenced by a -gravity setting, if present.

The -chop option removes entire rows and columns, and moves the remaining corner blocks leftward and upward to close the gaps.

Apply the clipping path if one is present.

If a clipping path is present, it is applied to subsequent operations.

For example, in the command

$magick> convert -clip -negate cockatoo.tif negated.tif

only the pixels within the clipping path are negated.

The -clip feature requires the XML library. If the XML library is not present, the option is ignored.

Clip the image as defined by this mask.

Clip along a named path from the 8BImageMagick profile.

Make a copy of an image (or images).

Specify the image by its index in the sequence. The first image is index 0. Negative indexes are relative to the end of the sequence; for example, −1 represents the last image of the sequence. Specify a range of images with a dash (e.g. 0−4). Separate multiple indexes with commas but no spaces (e.g. 0,2,5). Use +clone make a copy of the last image in the image sequence.

Replace the channel values in the first image using each corresponding channel in the second image as a color lookup table.

The second (LUT) image is ordinarily a gradient image containing the histogram mapping of how each channel should be modified. Typically it is a either a single row or column image of replacement color values. If larger than a single row or column, values are taken from a diagonal line from top-left to bottom-right corners.

The lookup is further controlled by the -interpolate setting, which is especially handy for an LUT which is not the full length needed by the ImageMagick installed Quality (Q) level. Good settings for this are the 'bilinear' and 'bicubic' interpolation settings, which give smooth color gradients, and the 'integer' setting for a direct, unsmoothed lookup of color values.

This operator is especially suited to replacing a grayscale image with a specific color gradient from the CLUT image.

Only the channel values defined by the -channel setting will have their values replaced. In particular, since the default -channel setting is RGB, this means that transparency (alpha/matte channel) is not affected, unless the -channel setting is modified. When the alpha channel is set, it is treated by the -clut operator in the same way as the other channels, implying that alpha/matte values are replaced using the alpha/matte values of the original image.

If either the image being modified, or the lookup image, conatins no transparency (i.e. -alpha is turned 'off') but the -channel setting includes alpha replacement, then it is assumed that image represents a gray-scale graident which will be used for the replacement alpha values. That is you can use a gray-scale CLUT image to adjust a existing images alpha channel, or you can color a gray-scale image using colors form CLUT containing the desired colors, including transparency.

See also -hald-clut which replaces colors according the lookup of the full color RGB value from a 2D representation of a 3D color cube.

Fully define the look of each frame of an GIF animation sequence, to form a 'film strip' animation.

Overlay each image in an image sequence according to its -dispose meta-data, to reproduce the look of an animation at each point in the animation sequence. All images should be the same size, and are assigned appropriate GIF disposal settings for the animation to continue working as expected as a GIF animation. Such frames are more easilly viewed and processed than the highly optimized GIF overlay images.

The animation can be re-optimized after processing using the -layers method 'optimize', though there is no guarantee that the restored GIF animation optimization is better than the original.

Colorize the image by an amount specified by value using the color specified by the most recent -fill setting.

Specify the amount of colorization as a percentage. Separate colorization values can be applied to the red, green, and blue channels of the image with a comma-delimited list of colorization values (e.g., -colorize 0,0,50).

Define the colormap type.

[animate, display]

The type can be shared or private.

This option only applies when the default X server visual is PseudoColor or GrayScale. Refer to -visual for more details. By default, a shared colormap is allocated. The image shares colors with other X clients. Some image colors could be approximated, therefore your image may look very different than intended. If private is chosen, the image colors appear exactly as they are defined. However, other clients may go technicolor when the image colormap is installed.

Set the preferred number of colors in the image.

The actual number of colors in the image may be less than your request, but never more. Note that this a color reduction option. Images with fewer unique colors than specified by value will have any duplicate or unused colors removed. The ordering of an existing color palette may be altered. When converting an image from color to grayscale, it is more efficient to convert the image to the gray colorspace before reducing the number of colors. Refer to the color reduction algorithm for more details.

Set the image colorspace.

Choices are:

  CMY
  CMYK
  Gray
  HSB
  HSL
  HWB
  Lab
  Log
  OHTA
  Rec601Luma
  Rec601YCbCr
  Rec709Luma
  Rec709YCbCr
  RGB
  sRGB
  Transparent
  XYZ
  YCbCr
  YCC
  YIQ
  YPbPr
  YUV

To print a complete list of colorspaces, use -list colorspace.

For a more accurate color conversion to or from the RGB, CMYK, or grayscale colorspaces, use the -profile option.

Conversion Of RGB To Other Color Spaces

CMY
C=QuantumRange−R
M=QuantumRange−G
Y=QuantumRange−B
CMYK — starts with CMY from above
K=min(C,Y,M)
C=QuantumRange*(C−K)/(QuantumRange−K)
M=QuantumRange*(M−K)/(QuantumRange−K)
Y=QuantumRange*(Y−K)/(QuantumRange−K)
Gray
Gray = 0.29900*R+0.58700*G+0.11400*B
HSB — Hue, Saturation, Brightness; like a cone peak downward
H=angle around perimeter (0 to 360 deg); H=0 is red; increasing angles toward green
S=distance from axis outward
B=distance along axis from bottom upward; B=max(R,G,B); intensity-like
HSL — Hue, Saturation, Lightness; like a double cone end-to-end with peaks at very top and bottom
H=angle around perimeter (0 to 360 deg); H=0 is red; increasing angles toward green
S=distance from axis outward
L=distance along axis from bottom upward; L=0.5*max(R,G,B) + 0.5*min(R,G,B); intensity-like
HWB — Hue, Whiteness, Blackness
Hue (complicated equation)
Whiteness (complicated equation)
Blackness (complicated equation)
LAB
L (complicated equation relating X,Y,Z)
A (complicated equation relating X,Y,Z)
B (complicated equation relating X,Y,Z)
LOG
I1 (complicated equation involving logarithm of R)
I2 (complicated equation involving logarithm of G)
I3 (complicated equation involving logarithm of B)
OHTA — approximates principal components transformation
I1=0.33333*R+0.33334*G+0.33333*B; intensity-like
I2=(0.50000*R+0.00000*G−0.50000*B)*(QuantumRange+1)/2
I3=(−0.25000*R+0.50000*G−0.25000*B)*(QuantumRange+1)/2
Rec601Luma
Gray = 0.29900*R+0.58700*G+0.11400*B
Rec601YCbCr
Y=0.299000*R+0.587000*G+0.114000*B; intensity-like
Cb=(−0.168736*R-0.331264*G+0.500000*B)*(QuantumRange+1)/2
Cr=(0.500000*R−0.418688*G−0.081312*B)*(QuantumRange+1)/2
Rec709Luma
Gray=0.21260*R+0.71520*G+0.07220*B
Rec709YCbCr
Y=0.212600*R+0.715200*G+0.072200*B; intensity-like
Cb=(−0.114572*R−0.385428*G+0.500000*B)*(QuantumRange+1)/2
Cr=(0.500000*R−0.454153*G−0.045847*B)*(QuantumRange+1)/2
sRGB
if Rs ≤ .03928 then Rs=R/12.92 else Rs=((R+.055)/1.055)^2.4
if Gs ≤ .03928 then Gs=B/12.92 else Gs=((G+.055)/1.055)^2.4
if Bs ≤ .03928 then Bs=B/12.92 else Bs=((B+.055)/1.055)^2.4
XYZ
X=0.4124240*R+0.3575790*G+0.1804640*B
Y=0.2126560*R+0.7151580*G+0.0721856*B
Z=0.0193324*R+0.1191930*G+0.9504440*B
YCC
Y=(0.29900*R+0.58700*G+0.11400*B) (with complicated scaling); intensity-like
C1=(−0.29900*R−0.58700*G+0.88600*B) (with complicated scaling)
C2=(0.70100*R−0.58700*G−0.11400*B) (with complicated scaling)
YCbCr
Y=0.299000*R+0.587000*G+0.114000*B; intensity-like
Cb=(−0.168736*R−0.331264*G+0.500000*B)*(QuantumRange+1)/2
Cr=(0.500000*R−0.418688*G−0.081312*B)*(QuantumRange+1)/2
YIQ
Y=0.29900*R+0.58700*G+0.11400*B; intensity-like
I=(0.59600*R−0.27400*G−0.32200*B)*(QuantumRange+1)/2
Q=(0.21100*R−0.52300*G+0.31200*B)*(QuantumRange+1)/2
YPbPr
Y=0.299000*R+0.587000*G+0.114000*B; intensity-like
Pb=(−0.168736*R−0.331264*G+0.500000*B)*(QuantumRange+1)/2
Pr=(0.500000*R−0.418688*G−0.081312*B)*(QuantumRange+1)/2
YUV
Y=0.29900*R+0.58700*G+0.11400*B; intensity-like
U=(−0.14740*R−0.28950*G+0.43690*B)*(QuantumRange+1)/2
V=(0.61500*R−0.51500*G−0.10000*B)*(QuantumRange+1)/2

Combine one or more images into a single image.

The channels (previously set by -channel) of the combined image are taken from the grayscale values of each image in the sequence, in order. For the default -channel setting of RGB, this means the first image is assigned to the Red channel, the second to the Green channel, the third to the Blue.

This option can be thought of as the inverse to -separate, so long as the channel settings are the same. Thus, in the following example, the final image should be a copy of the original.

$magick> convert original.png -channel RGB -separate sepimage.png $magick> convert sepimage-0.png sepimage-1.png sepimage-2.png -channel RGB -combine imagecopy.png

Embed a comment in an image.

This option places comments in a non-pixel portion of the image file. For a comment to be visibly written on the image itself, use the -annotate or -draw options.

Use this option to assign a specific comment to the image, when writing to an image format that supports comments. You can include the image filename, type, width, height, or other image attribute by embedding special format characters listed under the -format option. The comment is not drawn on the image, but is embedded in the image datastream via "Comment" tag or similar mechanism.

For example,

-comment "%m:%f %wx%h"

produces an image comment of MIFF:bird.miff 512x480 for an image titled bird.miff and whose width is 512 and height is 480.

If the first character of string is @, the image comment is read from a file titled by the remaining characters in the string. Comments in a file are literal; no embedded formatting characters are recognized.

Set the type of image composition.

The description of composition uses abstract terminology in order to allow the description to be more precise, while avoiding constant values which are specific to a particular build configuration. Each image pixel is represented by red, green, and blue levels (which are equal for a gray pixel). The build-dependent value QuantumRange is the maximum integral value which may be stored, per pixel, in the red, green, or blue channels of the image. Each image pixel may also optionally (if the image matte channel is enabled) have an associated level of opacity, ranging from opaque to transparent, which may be used to determine the influence of the pixel color when compositing the pixel with another image pixel. If the image matte channel is disabled, then all pixels in the image are treated as opaque. The color of an opaque pixel is fully visible while the color of a transparent pixel color is entirely absent (pixel color is ignored).

By definition, raster images have a rectangular shape. All image rows are of equal length, as are all image columns. By treating the alpha channel as a visual "mask" the rectangular image may be given a "shape" by treating the alpha channel as a cookie-cutter for the image. This is done by setting the pixels within the shape to be opaque, with pixels outside the shape set as transparent. Pixels on the boundary of the shape may be between opaque and transparent in order to provide antialiasing (visually smooth edges). The description of the composition operators use this concept of image "shape" in order to make the description of the operators easier to understand. While it is convenient to describe the operators in terms of "shapes" they are by no means limited to mask-style operations since they are based on continuous floating-point mathematics rather than simple boolean operations.

The following alpha blending (Duff-Porter) compose methods are available:

Method	Description
clear	Both the color and the alpha of the destination are cleared. Neither the source nor the destination are used (except for destinations size and other meta-data which is always preserved.
src	The source is copied to the destination. The destination is not used as input, though it is cleared.
dst	The destination is left untouched. The source image is completely ignored.
src-over	The source is composited over the destination. this is the default alpha blending compose method, when neither the compose setting is set, nor is set in the image meta-data.
dst-over	The destination is composited over the source and the result replaces the destination.
src-in	The part of the source lying inside of the destination replaces the destination.
dst-in	The part of the destination lying inside of the source replaces the destination. Areas not overlaid are cleared.
src-out	The part of the source lying outside of the destination replaces the destination.
dst-out	The part of the destination lying outside of the source replaces the destination.
src-atop	The part of the source lying inside of the destination is composited onto the destination.
dst-atop	The part of the destination lying inside of the source is composited over the source and replaces the destination. Areas not overlaid are cleared.
xor	The part of the source that lies outside of the destination is combined with the part of the destination that lies outside of the source. Source or Destination, but not both.

Any of the 'Src-*' methods can also be specified without the 'Src-' part. For example the defaul compose method can be specified as just 'Over'.

The following mathemathical composition methods are also available.

Typically these use the default 'Over' alpha blending when transparencies are also involved, except for 'Plus', 'Minus', 'Add', and 'Subtract', which also composes the alpha channel using the same process as the color channels. This allows them to be used for special image masking techniques.

Method	Description
multiply	The source is multiplied by the destination and replaces the destination. The resultant color is always at least as dark as either of the two constituent colors. Multiplying any color with black produces black. Multiplying any color with white leaves the original color unchanged.
screen	The source and destination are complemented and then multiplied and then replace the destination. The resultant color is always at least as light as either of the two constituent colors. Screening any color with white produces white. Screening any color with black leaves the original color unchanged.
plus	The source is added to the destination and replaces the destination. This operator is useful for averaging or a controled merger of two images, rather than a direct overlay.
add	As per 'plus' but transparency data is treated as matte values. As such any transparent areas in either image remain transparent.
minus	Subtract the colors in the source image from the destination image. When transparency is involved, opaque areas is subtracted from any destination opaque areas.
subtract	Subtract the colors in the source image from the destination image. When transparency is involved transparent areas are subtracted, so only the opaque areas in the source remain opaque in the destination image.
difference	Subtracts the darker of the two constituent colors from the lighter. Painting with white inverts the destination color. Painting with black produces no change.
exclusion	Produces an effect similar to that of 'difference', but appears as lower contrast. Painting with white inverts the destination color. Painting with black produces no change.
darken	Selects the darker of the destination and source colors. The destination is replaced with the source when the source is darker, otherwise it is left unchanged.
lighten	Selects the lighter of the destination and source colors. The destination is replaced with the source when the source is lighter, otherwise it is left unchanged.
linear-dodge	This is equivelent to 'Plus' in that the color channels are simply added, however it does not 'Plus' the alpha channel, but uses the normal 'Over' alpha blending, which transparencies are involved. Produces a sort of additive multiply-like result. Added ImageMagick version 6.5.4-3.
linear-burn	As 'Linear-Dodge', but also subtract one from the result. Sort of a additive 'Screen' of the images. Added ImageMagick version 6.5.4-3.
color-dodge	Brightens the destination color to reflect the source color. Painting with black produces no change.
color-burn	Darkens the destination color to reflect the source color. Painting with white produces no change. Fixed in ImageMagick version 6.5.4-3.
overlay	Multiplies or screens the colors, dependent on the destination color. Source colors overlay the destination whilst preserving its highlights and shadows. The destination color is not replaced, but is mixed with the source color to reflect the lightness or darkness of the destination.
hard-light	Multiplies or screens the colors, dependent on the source color value. If the source color is lighter than 0.5, the destination is lightened as if it were screened. If the source color is darker than 0.5, the destination is darkened, as if it were multiplied. The degree of lightening or darkening is proportional to the difference between the source color and 0.5. If it is equal to 0.5 the destination is unchanged. Painting with pure black or white produces black or white.
linear-light	Like 'Hard-Light' but using linear-dodge and linear-burn instead. Increases contrast slightly with an impact on the foreground's tonal values.
soft-light	Darkens or lightens the colors, dependent on the source color value. If the source color is lighter than 0.5, the destination is lightened. If the source color is darker than 0.5, the destination is darkened, as if it were burned in. The degree of darkening or lightening is proportional to the difference between the source color and 0.5. If it is equal to 0.5, the destination is unchanged. Painting with pure black or white produces a distinctly darker or lighter area, but does not result in pure black or white. Fixed in ImageMagick version 6.5.4-3.
pegtop-light	Almost equivelent to 'Soft-Light', but using a continuious mathematical formula rather than two conditionally selected formulae. Added ImageMagick version 6.5.4-3.
vivid-light	A modified 'Linear-Light' designed to preserve very stong primary and secondary colors in the image. Added ImageMagick version 6.5.4-3.
pin-light	Similar to 'Hard-Light', but using sharp linear shadings, to similate the effects of a strong 'pinhole' light source. Added ImageMagick version 6.5.4-3.

Also included are these special purpose compose methods:

Method	Description
copy-*	Copy the specified channel (Red, Green, Blue, Cyan, Magenta, Yellow, Black, or Opacity) in the source image to the same channel in the destination image. If the channel specified does not exist in the source image, (which can only happen for methods, 'copy-opacity' or 'copy-black') then it is assumed that the source image is a special grayscale channel image of the values to be copied.
change-mask	Replace any destination pixel that is the similar to the source images pixel (as defined by the current -fuzz factor), with transparency.

On top of these composed methods are a few special ones that not only require the two images that are being merged or overlaid, but have some extra numerical arguments, which are tabled below.

In the "composite" command these composition methods are selected using special options with the arguments needed. They are usually, but not always, the same name as the composte 'method' they use, and replaces the normal use of the -compose setting in the "composite" command. For example...

$magick> composite ... -blend 50x50 ...

As of IM v6.5.3-4 the "convert" command can now also supply these extra arguments to its -composite operator, using the special -set attribute of 'option:compose:args'. This means you can now make use of these special argumented -compose methods, those the argument and the method both need to be set separatally. For example...

$magick> convert ... -compose blend -set option:compose:args 50x50 -composite ...

The following is a table of these special 'argumented' compose methods, with a brief summary of what they do. For more details see the equivalent "composite" command option name.

Method	Description
dissolve	Arguments: src_percent[xdst_percent] Equivalent to "composite" -dissolve Dissolve the 'source' image by the percentage given before overlaying 'over' the 'destination' image. If src_percent is greater than 100, it starts dissolving the main image so it will become transparent at a value of '200'. If both percentages are given, each image are dissolved to the percentages given.
blend	Arguments: src_percent[xdst_percent] Equivalent to "composite" -blend Average the images together ('plus') according to the percentages given and each pixels transparency. If only a single percentage value is given it sets the weight of the composite or 'source' image, while the background image is weighted by the exact opposite amount. That is a -blend 30 merges 30% of the 'source' image with 70% of the 'destination' image. Thus it is equivalent to -blend 30x70.
mathematics	Arguments: A, B, C, D Not available in "composite" at this time. Merge the source and destination images according to the formula      A*Sc*Dc + B*Sc + C*Dc + D Can be used to generate a custom composition method that would otherwise need to be implemented using the slow -fx DIY image operator. Added to ImageMagick version 6.5.4-3.
modulate	Arguments: brightness[xsaturation] Equivalent to "composite" -watermark Take a grayscale image (with alpha mask) and modify the destination image's brightness according to watermark image's grayscale value and the brightness percentage. The destinations color saturation attribute is just direct modified by the saturation percentage, which defaults to 100 percent (no color change).
displace	Arguments: X-scale[xY-scale][!][%] Equivalent to "composite" -displace With this option, the 'overlay' image, and optionally the 'mask' image, is used as a relative displacement map, which is used to displace the lookup of what part of the destination image is seen at each point of the overlaid area. Much like the displacement map is a 'lens' that distorts the original 'background' image behind it. The X-scale is modilated by the 'red' channel of the overlay image while the Y-scale is modulated by the green channel, (the mask image if given is rolled into green channel of the overlay image. This separation allows you to modulate the X and Y lookup displacement separatally allowing you to di 2 dimentional displacements, rather than 1 dimentional verctored displacements (using grayscale image). If the overlay image contains transparency this is used as a mask of the resulting image to remove 'invalid' pixels. The '%' flag makes the displacement scale relative to the size of the overlay image (100% = half width/height of image). Using '!' switches percentage arguments to refer to the destination image size instead. Special flags were added Added to ImageMagick version 6.5.3-5.
distort	Arguments: X-scale[xY-scale[+X-center+Y-center]][!][%] Not available in "composite" at this time. Exactly as per 'Displace' (above), but using absolute coordinates, relative to the center of the overlay (or that given). Basically allows you to generate absolute distortion maps where 'black' will look up the left/top edge, and 'white' looks up the bottom/right edge of the destination image, according to the scale given. The '!' flag not only switches percentage scaling, to use the destination image, but also the image the center offset of the lookup. This means the overlay can lookup a completely different region of the destination image. Added to ImageMagick version 6.5.3-5.
blur	Arguments: Width[xHeight[+Angle]] Equivalent to "composite" -blur A Variable Blur Mapping Composition method, where each pixel in the overlaid region is replaced with an Elliptical Weighted Average (EWA), with an ellipse (typically a circle) of the given sigma size, scaled according to overlay (source image) grayscale mapping. As per 'Displace' and 'Distort', the red channel will modulate the width of the ellipse, while the green channel will modulate the height of the ellipse. However at this time the ellipse angle is not modulated though this may be a future posibility (perhaps with a special flag to enable use of blur channel for this purpose). Added to ImageMagick version 6.5.4-0.

To print a complete list of all the available compose operators, use -list compose.

Perform alpha composition on the current image sequence.

Take the first image 'destination' and overlay the second 'source' image according to the current -compose setting. The location of the 'source' or 'overlay' image is controlled according to -geometry, and -geometry settings.

If a third image is given this is treated as a gray-scale 'mask' image relative to the first 'destination' image. This mask will limit what parts of the destination can be modified by the image composition. However for the 'displace' compose method, the mask is used to provide a separate Y-displacement image instead.

If a -compose method requires extra numerical arguments or flags these can be provided by setting the -set 'option:compose:args' appropriatally for the compose method.

Some -compose methods can modify the 'destination' image outside the overlay area. You can disable this by setting the special -set 'option:compose:outside-overlay' to 'false'.

Use pixel compression specified by type when writing the image.

Choices are: None, BZip, Fax, Group4, JPEG, JPEG2000, Lossless, LZW, RLE or Zip.

To print a complete list of compression types, use -list compress.

Specify +compress to store the binary image in an uncompressed format. The default is the compression type of the specified image file.

If LZW compression is specified but LZW compression has not been enabled, the image data is written in an uncompressed LZW format that can be read by LZW decoders. This may result in larger-than-expected GIF files.

Lossless refers to lossless JPEG, which is only available if the JPEG library has been patched to support it. Use of lossless JPEG is generally not recommended.

Use the -quality option to set the compression level to be used by JPEG, PNG, MIFF, and MPEG encoders. Use the -sampling-factor option to set the sampling factor to be used by JPEG, MPEG, and YUV encoders for down-sampling the chroma channels.

Enhance or reduce the image contrast.

This option enhances the intensity differences between the lighter and darker elements of the image. Use -contrast to enhance the image or +contrast to reduce the image contrast.

For a more pronounced effect you can repeat the option:

$magick> convert rose: -contrast -contrast rose_c2.png

Increase the contrast in an image by stretching the range of intensity values.

While performing the stretch, black-out at most black-point pixels and white-out at most white-point pixels. Or, if percent is used, black-out at most black-point % pixels and white-out at most white-point % pixels.

Prior to ImageMagick 6.4.7-0, -contrast-stretch will black-out at most black-point pixels and white-out at most total pixels minus white-point pixels. Or, if percent is used, black-out at most black-point % pixels and white-out at most 100% minus white-point % pixels.

Note that -contrast-stretch 0 will modify the image such that the image's min and max values are stretched to 0 and QuantumRange, respectively, without any loss of data due to burn-out or clipping at either end. This is not the same as -normalize, which is equivalent to -contrast-stretch 2%x1% (or prior to ImageMagick 6.4.7-0, -contrast-stretch 2%x99%).

Internally operator works by creating a histogram bin, and then uses that bin to modify the image. As such some colors may be merged together when they originally fell into the same 'bin'.

All the channels are normalized in concert by the came amount so as to preserve color integrity, when the default +channel setting is in use. Specifing any other -channel setting will normalize the RGB channels independently.

See also -auto-level for a 'perfect' normalization of mathematical images.

This operator is under review for re-development.

Convolve an image with a user-supplied convolution kernel.

The kernel is a square matrix specified as a comma-separated list of integers (with no spaces), ordered left-to right, starting with the top row. Presently, only odd-dimensioned kernels are supported, and therefore the number of entries in the specified kernel must be 3²=9, 5²=25, 7²=49, etc.

Note that the ‑convolve operator supports the ‑bias setting. This option shifts the convolution so that positive and negative results are relative to a user-specified bias value. This is important for non-HDRI compilations of ImageMagick when dealing with convolutions that contain negative as well as positive values. This is especially the case with convolutions involving high pass filters or edge detection. Without an output bias, the negative values is clipped at zero.

When using an ImageMagick with the HDRI compile-time setting, ‑bias is not needed, as ImageMagick is able to store/handle any negative results without clipping to the color value range (0..QuantumRange). See the discussion on HDRI implementations of ImageMagick on the page High Dynamic-Range Images. For more about HDRI go the ImageMagick Usage pages or this Wikipedia entry.

Cut out one or more rectangular regions of the image.

See Image Geometry for complete details about the geometry argument.

The width and height of the geometry argument give the size of the image that remains after cropping, and x and y in the offset (if present) gives the location of the top left corner of the cropped image with respect to the original image. To specify the amount to be removed, use -shave instead.

If the x and y offsets are present, a single image is generated, consisting of the pixels from the cropping region. The offsets specify the location of the upper left corner of the cropping region measured downward and rightward with respect to the upper left corner of the image. If the -gravity option is present with NorthEast, East, or SouthEast gravity, it gives the distance leftward from the right edge of the image to the right edge of the cropping region. Similarly, if the -gravity option is present with SouthWest, South, or SouthEast gravity, the distance is measured upward between the bottom edges.

If the x and y offsets are omitted, a set of tiles of the specified geometry, covering the entire input image, is generated. The rightmost tiles and the bottom tiles are smaller if the specified geometry extends beyond the dimensions of the input image.

By adding a exclamation character flag to the geometry argument, the cropped images virtual canvas page size and offset is set as if the geometry argument was a viewport or window. This means the canvas page size is set to exactly the same size you specified, the image offset set relative top left corner of the region cropped.

If the cropped image 'missed' the actual image on its virtual canvas, a special single pixel transparent 'missed' image is returned, and a 'crop missed' warning given.

It might be necessary to +repage the image prior to cropping the image to ensure the crop coordinate frame is relocated to the upper-left corner of the visible image.

displace image colormap by amount.

Amount defines the number of positions each colormap entry is shifted.

enable debug printout.

The events parameter specifies which events are to be logged. It can be either None, All, Trace, or a comma-separated list consisting of one or more of the following domains: Annotate, Blob, Cache, Coder, Configure, Deprecate, Exception, Locale, Render, Resource, Security, TemporaryFile, Transform, X11, or User.

For example, to log cache and blob events, use.

$magick> convert -debug "Cache,Blob" rose: rose.png

The User domain is normally empty, but developers can log user events in their private copy of ImageMagick.

To print the complete list of debug methods, use -list debug.

Use the -log option to specify the format for debugging output.

Use +debug to turn off all logging.

Debugging may also be set using the MAGICK_DEBUG environment variable. The allowed values for the MAGICK_DEBUG environment variable are the same as for the -debug option.

Decipher and restore pixels that were previously transformed by -encipher.

Get the passphrase from the file specified by filename.

For more information, see the webpage, ImageMagick: Encipher or Decipher an Image.

find areas that has changed between images

Given a sequence of images all the same size, such as produced by -coalesce, replace the second and later images, with a smaller image of just the area that changed relative to the previous image.

The resulting sequence of images can be used to optimize an animation sequence, though will not work correctly for GIF animations when parts of the animation can go from opaque to transparent.

This option is actually equivalent to the -layers method 'compare-any'.

add coder/decoder specific options.

This option creates one or more definitions for coders and decoders to use while reading and writing image data. Definitions may be passed to coders and decoders to control options that are specific to certain image formats. If value is missing for a definition, an empty-valued definition of a flag is created with that name. This used to control on/off options. Use +define key to remove definitions previously created. Use +define "*" to remove all existing definitions.

The following definitions may be created:

jpeg:size=geometry
Set the size hint of a JPEG image, for example, -define jpeg:size=128x128. It is most useful for increasing performance and reducing the memory requirements when reducing the size of a large JPEG image.


jp2:rate=value
Specify the compression factor to use while writing JPEG-2000 files. The compression factor is the reciprocal of the compression ratio. The valid range is 0.0 to 1.0, with 1.0 indicating lossless compression. If defined, this value overrides the -quality setting. A quality setting of 75 results in a rate value of 0.06641.


mng:need-cacheoff
turn playback caching off for streaming MNG.


png:bit-depth=value
png:color-type=value
desired bit-depth and color-type for PNG output. You can force the PNG encoder to use a different bit-depth and color-type than it would have normally selected, but only if this does not cause any loss of image quality. Any attempt to reduce image quality is treated as an error and no PNG file is written. E.g., if you have a 1-bit black-and-white image, you can use these "defines" to cause it to be written as an 8-bit grayscale, indexed, or even a 64-bit RGBA. But if you have a 16-million color image, you cannot force it to be written as a grayscale or indexed PNG. If you wish to do this, you must use the appropriate -depth, -colors, or -type directives to reduce the image quality prior to using the PNG encoder. Note that in indexed PNG files, "bit-depth" refers to the number of bits per index, which can range from 1 to 8. In such files, the color samples always have 8-bit depth.


ps:imagemask
If the ps:imagemask flag is defined, the PS3 and EPS3 coders will create Postscript files that render bilevel images with the Postscript imagemask operator instead of the image operator.

For example, to create a postscript file that will render only the black pixels of a bilevel image, use:

$magick> convert bilevel.tif -define ps:imagemask eps3:stencil.ps

Set attributes of the image registry by prefixing the value with registry:. For example, to set a temporary path to put work files, use:

-define registry:temporary-path=/data/tmp

display the next image after pausing.

This option is useful for regulating the animation of image sequences ticks/ticks-per-second seconds must expire before the display of the next image. The default is no delay between each showing of the image sequence. The default ticks-per-second is 100.

Use > to change the image delay only if its current value exceeds the given delay. < changes the image delay only if current value is less than the given delay. For example, if you specify 30> and the image delay is 20, the image delay does not change. However, if the image delay is 40 or 50, the delay it is changed to 30. Enclose the given delay in quotation marks to prevent the < or > from being interpreted by your shell as a file redirection.

delete the image, specified by its index, from the image sequence.

Specify the image by its index in the sequence. The first image is index 0. Negative indexes are relative to the end of the sequence, for example, -1 represents the last image of the sequence. Specify a range of images with a dash (e.g. 0-4). Separate indexes with a comma (e.g. 0,2). Use +delete to delete the last image in the current image sequence.

Set the horizontal and vertical resolution of an image for rendering to devices.

This option specifies the image resolution to store while encoding a raster image or the canvas resolution while rendering (reading) vector formats such as Postscript, PDF, WMF, and SVG into a raster image. Image resolution provides the unit of measure to apply when rendering to an output device or raster image. The default unit of measure is in dots per inch (DPI). The -units option may be used to select dots per centimeter instead.

The default resolution is 72 dots per inch, which is equivalent to one point per pixel (Macintosh and Postscript standard). Computer screens are normally 72 or 96 dots per inch, while printers typically support 150, 300, 600, or 1200 dots per inch. To determine the resolution of your display, use a ruler to measure the width of your screen in inches, and divide by the number of horizontal pixels (1024 on a 1024x768 display).

If the file format supports it, this option may be used to update the stored image resolution. Note that Photoshop stores and obtains image resolution from a proprietary embedded profile. If this profile is not stripped from the image, then Photoshop will continue to treat the image using its former resolution, ignoring the image resolution specified in the standard file header.

The -density option sets an attribute and does not alter the underlying raster image. It may be used to adjust the rendered size for desktop publishing purposes by adjusting the scale applied to the pixels. To resize the image so that it is the same size at a different resolution, use the -resample option.

depth of the image.

This the number of bits in a color sample within a pixel. Use this option to specify the depth of raw images whose depth is unknown such as GRAY, RGB, or CMYK, or to change the depth of any image after it has been read.

obtain image by descending window hierarchy.

straighten an image. A threshold of 40% works for most images.

Use -set option:deskew:auto-crop width to auto crop the image. The set argument is the pixel width of the image background (e.g 40).

reduce the speckles within an image.

shift image pixels as defined by a displacement map.

[composite]

With this option, the 'overlay' image, and optionally the 'mask' image, will be used as a displacement map, which is used to displace the lookup of what part of the 'background' image is seen at each point of the overlaid area. Much like the displacement map is a 'lens' that redirects light shining through it so as to present a distorted view the original 'background' image behind it.

Any perfect grey areas of the displacement map produce a zero displacement of the image. Black areas produce the given maximum negative displacement of the lookup point, while white produce a maximum positive displacement of the lookup.

Note that it is the lookup of the 'background' that is displaced, not a displacement of the image itself. As such an area of the displacement map containing 'white' will have the lookup point 'shifted' by a positive amount, and thus generating a copy of the destination image to the right/downward from the correct position. That is the image will look like it may have been 'shifted' in a negative left/upward direction. Understanding this is a very important in understanding how displacement maps work.

The given arguments define the maximum amount of displacement in pixels that a particular map can produce. If the displacement scale is large enough it is also posible to lookup parts of the 'background' image that lie well outside the bounds of the displacement map itself. That is you could very easilly copy a section of the original image from outside the overlay area into the overlay area.

The '%' flag makes the displacement scale relative to the size of the overlay image (100% = half width/height of image). Using '!' switches percentage arguments to refer to the destination image size instead. these flags were added as of IM v6.5.3-5.

Normally a single grayscale displacement map is provided, which with the given scaling values will determine a single direction (vector) in which displacements can occur (positivally or negativally). However, if you also specify a third image which is normally used as a mask, then the composite image will be used for horizontal X displacement, while the mask image is used for vertical Y displacement. This allows you to define completely different displacement values for the X and Y directions, and allowing you to lookup any point within the scale bounds. In other words each pixel can lookup any other nearby pixel, producing complex 2 dimentional displacements, rather than a simple 1 dimentional vector displacements.

Alternativally rather than suppling two separate images, as of IM v6.4.4-0, you can use the 'red' channel of the overlay image to specify the horizontal or X displacement, and the 'green' channel for the vertical or Y displacement.

As of IM v6.5.3-5 any alpha channel in the overlay image will be used as a mask the transparency of the destination image. However areas outside the overlaid areas will not be effected.

Specifies the X server to contact.

[animate, display]

This option is used with convert for obtaining image or font from this X server. See X(1).

define the GIF disposal image setting for images that are being created or read in.

The layer disposal method defines the way each the displayed image is to be modified after the current 'frame' of an animation has finished being displayed (after its 'delay' period), but before the next frame on an animation is to be overlaid onto the display.

Here are the valid methods:

Undefined   0  No disposal specified (equivalent to 'none').
None        1  Do not dispose, just overlay next frame image.
Background  2  Clear the frame area with the background color.
Previous    3  Clear to the image prior to this frames overlay.

You can also use the numbers given above, which is what the GIF format uses internally to represent the above settings.

To print a complete list of dispose methods, use -list dipose.

Use +dispose, turn off the setting and prevent resetting the layer disposal methods of images being read in.

Use -set 'dispose' method to set the image disposal method for images already in memory.

maximum RMSE for subimage match (default 0.2).

[compare]

dissolve an image into another by the given percent.

[composite]

The opacity of the composite image is multiplied by the given percent, then it is composited 'over' the main image. If src_percent is greater than 100, start dissolving the main image so it will become transparent at a value of '200'. If both percentages are given, each image are dissolved to the percentages given.

Note that dissolve percentages do not add, two opaque images dissolved '50,50', produce a 75% transparency. For a 50% + 50% blending of the two images, you would need to use dissolve values of '50,100'.

distort an image, using the given method and its required arguments.

The arguments is a single string containing a list of floating point numbers separated by commas or spaces. The number of and meaning of the floating point values depends on the distortion method being used.

Choose from these distortion types:

Method	Description
ScaleRotateTranslate   or   SRT	Distort image by first scaling and rotating about a given 'center', before translating that 'center' to the new location, in that order. It is an alternative method of specifying a 'Affine' type of distortion, but without shearing effects. It also provides a good way of rotating and displacing a smaller image for tiling onto a larger background (IE 2-dimensional animations). The number of arguments determine the specific meaning of each argument for the scales, rotation, and translation operations. #   arguments meaning 1: Angle_of_Rotation 2: Scale   Angle 3: ScaleX,ScaleY   Angle 4: X,Y   Scale   Angle 5: X,Y   ScaleX,ScaleY   Angle 6: X,Y   Scale   Angle   NewX,NewY 7: X,Y   ScaleX,ScaleY   Angle   NewX,NewY This is actually an alternative way of specifing a 2 dimensional linear 'Affine' or 'AffineProjection' distortion.
Affine	Distort the image linearly by moving a list of at least 3 or more sets of control points (as defined below). Idealy 3 sets or 12 floating point values are given allowing the image to be linearly scaled, rotated, sheared, and translated, according to those three points. See also the related 'AffineProjection' and 'SRT' distortions. More than 3 sets given control point pairs (12 numbers) is least squares fitted to best match a lineary affine distortion. If only 2 control point pairs (8 numbers) are given a two point image translation rotation and scaling is performed, without any posible shearing, flipping or changes in aspect ratio to the resulting image. If only one control point pair is provides the image is only translated, (which may be a floating point non-integer translation). This distortion does not include any form of perspective distortion.
AffineProjection	Linearly distort an image using the given Affine Matrix of 6 pre-calculated coefficients forming a set of Affine Equations to map the source image to the destination image. sx, rx, ry, sy, tx, ty See -affine setting for more detail, and meanings of these coefficients. The distortions 'Affine' and 'SRT' provide alternative methods of defining this distortion, with ImageMagick doing the calculations needed to generate the required coefficients. You can see the internally generated coefficients, by using a -verbose setting.
Perspective	Perspective distort the images, using a list of 4 or more sets of control points (as defined below). More that 4 sets (16 numbers) of control points provide least squares fitting for more accurate distortions (for the purposes of image registration and panarama effects). Less than 4 sets will fall back to a 'Affine' linear distortion. Perspective Distorted images ensures that straight lines remain straight, but the scale of the distorted image will vary. The horizon is anti-aliased, and the 'sky' color may be set using the -mattecolor setting.
PerspectiveProjection	Do a 'Perspective' distortion basied on a set of 8 pre-calculated coefficients. You can get these coefficients by looking at the -verbose output of a 'Prespective' distortion, or by calculating them yourself. If the last two perspective scaling coefficients are zero, the remaining 6 represents a transposed 'Affine Matrix'.
Arc	Arc the image (variation of polar mapping) over the angle given around a circle. Argument Meaning arc_angle The angle over which to arc the image side-to-side rotate_angle Angle to rotate resulting image from vertical center top_radius Set top edge of source image at this radius bottom_radius  Set bottom edge to this radius (radial scaling) The resulting image is always resized to best fit the resulting image, (as if using +distort) while attempting to preserve scale and aspect ratio of the original image as much as possible with the arguments given by the user. All four arguments will be needed to change the overall aspect ratio of an 'Arc'ed image. This a variation of a polar distortion designed to try to preserve the aspect ratio of the image rather than direct Cartesian to Polar conversion.
Polar	Like 'Arc' but do a complete Cartesian to Polar mapping of the image. that is the height of the input image is mapped to the radius limits, while the width is wrapped around between the angle limits. Arguments: Rmax,Rmin CenterX,CenterY, start,end_angle All arguments are optional. With Rmin defaulting to zero, the center to the center of the image, and the angles going from -180 (top) to +180 (top). If Rmax is given the special value of '0', the the distance from the center to the nearest edge is used for the radius of the output image, which will ensure the whole image is visible (though scaled smaller). However a special value of '-1' will use the distance from the center to the furthest corner, This may 'clip' the corners from the input rectangular image, but will generate the exact reverse of a 'DePolar' with the same arguments. If the plus form of distort (+distort) is used output image center will default to 0,0 of the virtual canvas, and the image size adjusted to ensure the whole input image is made visible in the output image on the virtual canvas.
DePolar	Uses the same arguments and meanings as a 'Polar' distortion but generates the reverse Polar to Cartesian distortion. The special Rmax setting of '0' may however clip the corners of the input image. However using the special Rmax setting of '-1' (maximum center to corner distance) will ensure the whole distorted image is preserved in the generated result, so that the same argument to 'Polar' will reverse the distortion re-producing the original. Note that as this distortion requires the area resampling of a circular arc, which can not be handled by the builtin EWA resampling function. As such the normal EWA filters are turned off. It is recomended some form of 'super-sampling' image processing technique be used to produce a high quality result.
Barrel	Given the four coefficients (A,B,C,D) as defined by Helmut Dersch, perform a barrell or pincussion distortion appropriate to correct radial lens distortions. That is in photographs, make straight lines straight again. Arguments: A   B   C   [ D   [ X , Y ] ] or Ax Bx Cx Dx   Ay By Cy Dy   [ X , Y ] So that it forms the function Rsrc = r * ( A*r3 + B*r2 + C*r + D ) Where X,Y is the optional center of the distortion (defaulting to the center of the image). The second form is typically used to distort images, rather than correct lens distortions.
BarrelInverse	This is very simular to 'Barrel' with the same set of arguments, and argument handling. However it uses the inverse of the radial polynomial, so that it forms the function Rsrc = r / ( A*r3 + B*r2 + C*r + D )
Shepards	Distort the given list control points (any number) using an Inverse Squared Distance Interpolation Method (Shepards Method). The control points in effect do 'localized' distortions of the image around the given control point. For best results extra control points should be added to 'lock' the positions of the corners and other unchanging parts of the image. The distortion has been likened to 'taffy pulling' using nails, pins or sticks. It basically uses the -sparse-color method of the same name to generate separate X and Y displacement maps (see -displace) for source image color look-up.

To print a complete list of distortion methods, use -list distort.

Many of the above distortion methods such as 'Affine', 'Perspective', and 'Shepards' use a list control points defining how these points in the given image should be distorted in the destination image. Each set of four floating point values represent a source image coordinate, followed immediately by the destination image coordinate. This produces a list of values such as...

where U,V on the source image is mapped to X,Y on the destination image.

For example, to warp an image using 'perspective' distortion, needs a list of at least 4 sets of coordinates, or 16 numbers. Here is the perspective distortion of the built-in "rose:" image. Note how spaces were used to group the 4 sets of coordinate pairs, to make it easier to read and understand.

$magick> convert rose: -virtual-pixel black \
-distort Perspective '0,0,0,0 0,45,0,45 69,0,60,10 69,45,60,35' \
rose_3d_rotated.gif

If more that the required number of coordinate pairs are given for a distortion, the distortion method is 'least squares' fitted to produce the best result for all the coordinate pairs given. If less than the ideal number of points are given, the distort will generally fall back to a simpler form of distortion that can handles the smaller number of coordinates (usally a linear 'Affine' distortion).

By using more coodinates you can make use of image registration tool to find matching coordinate pairs in overlaping images, so as to improve the 'fit' of the distortion. Of course a bad coordinate pair can also make the 'fit' worse. Caution is always advised.

Colors are acquired from the source image according to the -interpolate color lookup setting, when the image is magnified. However if the viewed image is minified (image becomes smaller), a special area resampling function (added ImageMagick v6.3.5-9), is used to produce a higher quality image. For example you can use a 'perspective' distortion to view a infinitely tiled 'plane' all the way to the horizon.

$magick> convert -size 90x90 pattern:checkerboard -normalize -virtual-pixel tile \
-distort perspective '0,0,5,45 89,0,45,46 0,89,0,89 89,89,89,89' \
checks_tiled.jpg

Note that a infinitely tiled perspective images involving the horizon can be very slow to generate due to the use of the high quality 'area resampling' function (added ImageMagick v6.3.5-9). You can turn off 'area resampling' using a -filter setting of 'point' (recommended if you plan to use super-sampling instead).

If an image generates invalid pixels, such as the 'sky' in the last 'perspective' distortion example, -distort will use the current -mattecolor setting for these pixels. If you do not what these pixels to be visible, set the color to match the rest of the ground.

The output image size will by default be the same as the input image. This means that if the part of the distorted image falls outside the viewed area of the 'distorted space', those parts is clipped and lost. However if you use the plus form of the operator (+distort) the operator will attempt (if posible) to show the whole of the distorted image, while retaining a correct 'virtual canvas' offset, for image layering. This offset may need to be removed using +repage, to remove if it is unwanted.

You can alternatively specify a special "-set option:distort:viewport {geometry_string}" setting which will specify the size and the offset of the generated 'viewport' image of the distorted image space.

Adding a "-set option:distort:scale {scale_factor}" will scale the output image (viewport or otherwise) by that factor without changing the viewed contents of the distorted image. This can be used either for 'super-sampling' the image for a higher quality result, or for panning and zooming around the image (with appropriate viewport changes, or post-distort cropping and resizing).

Setting -verbose setting, will cause -distort to attempt to output the internal coefficients, and the -fx equivalent to the distortion, for expert study, and debugging purposes. This many not be available for all distorts.

Affine rotations and shears (such as 'SRT' distortion), tend to produce a cleaner result that the equivalent -rotate and/or -shear operation, with more control of due to the above settings. It is algorithmically slower, though in ImageMagick it may be faster.

Apply a Riemersma or Floyd-Steinberg error diffusion dither to images when general color reduction is applied via an option, or automagically when saving to specific formats. This enabled by default.

Dithering places two or more colors in neighbouring pixels so that to the eye a closer approximation of the images original color is reproduced. This reduces the number of colors needed to reproduce the image but at the cost of a lower level pattern of colors. Error diffusion dithers can use any set of colors (generated or user defined) to an image.

Dithering is turned on by default, to turn it off use the plus form of the setting, +dither. This will also also render PostScript without text or graphic aliasing. Disabling dithering often (but not always) leads to faster process, a smaller number of colors, but more cartoon like image coloring. Generally resulting in 'color banding' effects in areas with color gradients.

The color reduction operators -colors, -monochrome, -remap, and -posterize, apply dithering to images using the reduced color set they created. These operators are also used as part of automatic color reduction when saving images to formats with limited color support, such as GIF:, XBM:, and others, so dithering may also be used in these cases.

Alternatively you can use -random-threshold to generate purely random dither. Or use -ordered-dither to apply threshold mapped dither patterns, using uniform color maps, rather than specific color maps.

Annotate an image with one or more graphic primitives.

Use this option to annotate or decorate an image with one or more graphic primitives. The primitives include shapes, text, transformations, and pixel operations.

The shape primitives:

   point           x,y
   line            x0,y0 x1,y1
   rectangle       x0,y0 x1,y1
   roundRectangle  x0,y0 x1,y1 wc,hc
   arc             x0,y0 x1,y1 a0,a1
   ellipse         x0,y0 rx,ry a0,a1
   circle          x0,y0 x1,y1
   polyline        x0,y0  ...  xn,yn
   polygon         x0,y0  ...  xn,yn
   bezier          x0,y0  ...  xn,yn
   path            path specification
   image           operator x0,y0 w,h filename

The text primitive:

   text            x0,y0 string

The text gravity primitive:

   gravity         NorthWest, North, NorthEast, West, Center,
                   East, SouthWest, South, or SouthEast

The text gravity primitive only affects the placement of text and does not interact with the other primitives. It is equivalent to using the -gravity command-line option, except that it is limited in scope to the -draw option in which it appears.

The transformation primitives:

   rotate          degrees
   translate       dx,dy
   scale           sx,sy
   skewX           degrees
   skewY           degrees

The pixel operation primitives:

   color           x0,y0 method
   matte           x0,y0 method

The shape primitives are drawn in the color specified by the preceding -fill setting. For unfilled shapes, use -fill none. You can optionally control the stroke (the "outline" of a shape) with the -stroke and -strokewidth settings.

A point primitive is specified by a single point in the pixel plane, that is, by an ordered pair of integer coordinates, x,y. (As it involves only a single pixel, a point primitive is not affected by -stroke or -strokewidth.)

A line primitive requires a start point and end point.

A rectangle primitive is specified by the pair of points at the upper left and lower right corners.

A roundRectangle primitive takes the same corner points as a rectangle followed by the width and height of the rounded corners to be removed.

The circle primitive makes a disk (filled) or circle (unfilled). Give the center and any point on the perimeter (boundary).

The arc primitive is used to inscribe an elliptical segment in to a given rectangle. An arc requires the two corners used for rectangle (see above) followed by the start and end angles of the arc of the segment segment (e.g. 130,30 200,100 45,90). The start and end points produced are then joined with a line segment and the resulting segment of an ellipse is filled.

Use ellipse to draw a partial (or whole) ellipse. Give the center point, the horizontal and vertical "radii" (the semi-axes of the ellipse) and start and end angles in degrees (e.g. 100,100 100,150 0,360).

The polyline and polygon primitives require three or more points to define their perimeters. A polyline is simply a polygon in which the final point is not stroked to the start point. When unfilled, this is a polygonal line. If the -stroke setting is none (the default), then a polyline is identical to a polygon.

A coordinate is a pair of integers separated by a space or optional comma.

As an example, to define a circle centered at 100,100 that extends to 150,150 use:

-draw 'circle 100,100 150,150'

The Bezier primitive creates a spline curve and requires three or points to define its shape. The first and last points are the knots and these points are attained by the curve, while any intermediate coordinates are control points. If two control points are specified, the line between each end knot and its sequentially respective control point determines the tangent direction of the curve at that end. If one control point is specified, the lines from the end knots to the one control point determines the tangent directions of the curve at each end. If more than two control points are specified, then the additional control points act in combination to determine the intermediate shape of the curve. In order to draw complex curves, it is highly recommended either to use the path primitive or to draw multiple four-point bezier segments with the start and end knots of each successive segment repeated. For example:

-draw 'bezier 20,50 45,100 45,0 70,50'

-draw 'bezier 70,50 95,100 95,0 120,50'

A path represents an outline of an object, defined in terms of moveto (set a new current point), lineto (draw a straight line), curveto (draw a Bezier curve), arc (elliptical or circular arc) and closepath (close the current shape by drawing a line to the last moveto) elements. Compound paths (i.e., a path with subpaths, each consisting of a single moveto followed by one or more line or curve operations) are possible to allow effects such as donut holes in objects. (See Paths.)

Use image to composite an image with another image. Follow the image keyword with the composite operator, image location, image size, and filename:

-draw 'image SrcOver 100,100 225,225 image.jpg'

You can use 0,0 for the image size, which means to use the actual dimensions found in the image header. Otherwise, it is scaled to the given dimensions. See -compose for a description of the composite operators.

Use text to annotate an image with text. Follow the text coordinates with a string. If the string has embedded spaces, enclose it in single or double quotes.

For example, the following annotates the image with Works like magick! for an image titled bird.miff.

-draw 'text 100,100 "Works like magick!"'

See the -annotate option for another convenient way to annotate an image with text.

The rotate primitive rotates subsequent shape primitives and text primitives about the origin of the main image. If the -region option precedes the -draw option, the origin for transformations is the upper left corner of the region.

The translate primitive translates subsequent shape and text primitives.

The scale primitive scales them.

The skewX and skewY primitives skew them with respect to the origin of the main image or the region.

The transformations modify the current affine matrix, which is initialized from the initial affine matrix defined by the -affine option. Transformations are cumulative within the -draw option. The initial affine matrix is not affected; that matrix is only changed by the appearance of another -affine option. If another -draw option appears, the current affine matrix is reinitialized from the initial affine matrix.

Use the color primitive to change the color of a pixel to the fill color (see -fill). Follow the pixel coordinate with a method:

   point
   replace
   floodfill
   filltoborder
   reset

Consider the target pixel as that specified by your coordinate. The point method recolors the target pixel. The replace method recolors any pixel that matches the color of the target pixel. Floodfill recolors any pixel that matches the color of the target pixel and is a neighbor, whereas filltoborder recolors any neighbor pixel that is not the border color. Finally, reset recolors all pixels.

Use matte to the change the pixel matte value to transparent. Follow the pixel coordinate with a method (see the color primitive for a description of methods). The point method changes the matte value of the target pixel. The replace method changes the matte value of any pixel that matches the color of the target pixel. Floodfill changes the matte value of any pixel that matches the color of the target pixel and is a neighbor, whereas filltoborder changes the matte value of any neighbor pixel that is not the border color (-bordercolor). Finally reset changes the matte value of all pixels.

You can set the primitive color, font, and font bounding box color with -fill, -font, and -box respectively. Options are processed in command line order so be sure to use these options before the -draw option.

Strings that begin with a number must be quoted (e.g. use '1.png' rather than 1.png).

Drawing primitives conform to the Magick Vector Graphics format.

detect edges within an image.

emboss an image.

Encipher pixels for later deciphering by -decipher.

Get the passphrase from the file specified by filename.

For more information, see the webpage, ImageMagick: Encipher or Decipher an Image.

specify the text encoding.

Choose from AdobeCustom, AdobeExpert, AdobeStandard, AppleRoman, BIG5, GB2312, Latin 2, None, SJIScode, Symbol, Unicode, Wansung.

Specify endianness (MSB or LSB) of the image.

To print a complete list of endian types, use the -list endian option.

Use +endian to revert to unspecified endianness.

Apply a digital filter to enhance a noisy image.

perform histogram equalization on the image channel-by-channel.

To perform histogram equalization on all channels in concert, transform the image into some other color space, such as HSL, OHTA, YIQ or YUV, then equalize the appropriate intensity-like channel, then convert back to RGB.

For example using HSL, we have: ... -colorspace HSL -channel lightness -equalize -colorspace RGB ...

For YIQ, YUV and OHTA use the red channel. For example, OHTA is a principal components transformation that puts most of the information in the first channel. Here we have ... -colorspace OHTA -channel red -equalize -colorspace RGB ...

Alter channel pixels by evaluating an arithmetic, relational, or logical expression.

(See the -function operator for some multi-parameter functions. See the -fx operator if more elaborate calculations are needed.)

The behaviors of each operator are summarized in the following list. For brevity, the numerical value of a "pixel" referred to below is the value of the corresponding channel of that pixel, while a "normalized pixel" is that number divided by the maximum (installation-dependent) value QuantumRange. (If normalized pixels are used, they are restored, following the other calculations, to the full range by multiplying by QuantumRange.)

operator	Summary (see further below for details)
Add	Add value to pixels.
AddModulus	Add value to pixels modulo QuantumRange.
And	Binary AND of pixels with value.
Cos, Cosine	Apply cosine to pixels with frequency value with 50% bias added.
Divide	Divide pixels by value.
LeftShift	Shift the pixel values left by value bits (i.e., multiply pixels by 2value).
Log	Apply scaled logarithm to normalized pixels.
Max	Clip pixels at lower bound value.
Min	Clip pixels at upper bound value.
Multiply	Multiply pixels by value.
Or	Binary OR of pixels with value.
Pow	Raise normalized pixels to the power value.
RightShift	Shift the pixel values right by value bits (i.e., divide pixels by 2value).
Set	Set pixel equal to value.
Sin, Sine	Apply sine to pixels with frequency value with 50% bias added.
Subtract	Subtract value from pixels.
Xor	Binary XOR of pixels with value.
Gaussian-noise
Impulse-noise
Laplacian-noise
Multiplicative-noise	(These are equivalent to the corresponding -noise operators.)
PoissonNoise
Uniform-noise
Threshold	Threshold pixels larger than value.
ThresholdBlack	Threshold pixels to zero values equal to or below value.
ThresholdWhite	Threshold pixels to maximum values above value.

The specified functions are applied only to each previously set -channel in the image. If necessary, the results of the calculations are truncated (clipped) to fit in the interval [0, QuantumRange]. The transparency channel of the image is represented as a 'alpha' values (0 = fully transparent), so, for example, a Divide by 2 of the alpha channel will make the image semi-transparent. Append the percent symbol '%' to specify a value as a percentage of the QuantumRange.

To print a complete list of -evaluate operators, use -list evaluate.

The results of the Add, Subtract and Multiply methods can also be achieved using either the -level or the +level operator, with appropriate argument, to linearly modify the overall range of color values. Please note, however, that -level treats transparency as 'matte' values (0 = opaque), while -evaluate works with 'alpha' values.

AddModulus has been added as of ImageMagick 6.4.8-4 and provides addition modulo the QuantumRange. It is therefore equivalent to Add unless the resulting pixel value is outside the interval [0, QuantumRange].

Log has been added as of ImageMagick 6.4.2-1 and works on normalized pixel values. This a scaled log function. The value used with Log provides a scaling factor that adjusts the curvature in the graph of the log function. The formula applied to a normalized value u is below.

Pow has been added as of ImageMagick 6.4.1-9, and works on normalized pixel values. Note that Pow is related to the -gamma operator. For example, -gamma 2 is equivalent to -evaluate pow 0.5, i.e., a 'square root' function. The value used with -gamma is simply the reciprocal of the value used with Pow.

Cosine and Sine was added as of IM v6.4.8-8 and converts the image values into a value according to a (co)sine wave function. The synonyms Cos and Sin may also be used. The output is biased 50% and normalized by 50% so as to fit in the respective color value range. The value scaling of the period of the function (its frequency), and thus determines the number of 'waves' that will be generated over the input color range. For example, if the value is 1, the effective period is simply the QuantumRange; but if the value is 2, then the effective period is the half the QuantumRange.

See also the -function operator, which is a multi-value version of evaluate.

Set the image size and offset.

If the image is enlarged, unfilled areas are set to the background color. To position the image, use offsets in the geometry specification or precede with a -gravity setting.

See Image Geometry for complete details about the geometry argument.

Extract the specified area from image.

This option is most useful for extracting a subregion of a very large raw image. Note that these two commands are equivalent:

$magick> convert -size 16000x16000 -depth 8 -extract 640x480+1280+960 image.rgb image.png $magick> convert -size 16000x16000 -depth 8 'image.rgb[640x480+1280+960]' image.rgb image.png

If you omit the offsets, as in

$magick> convert -size 16000x16000 -depth 8 -extract 640x480 image.rgb image.png

then the image will be resized to the specified dimensions instead, equivalent to:

$magick> convert -size 16000x16000 -depth 8 -resize 640x480 image.rgb image.png

See Image Geometry for complete details about the geometry argument.

Set a font family for text.

This setting suggests a font family that ImageMagick should try to use for rendering text. If the family can be found it is used; if not, a default font (e.g., "Arial") or a family known to be similar is substituted (e.g., "Courier" might be used if "System" is requested but not found).

For other settings that affect fonts, see the options -font, -stretch, -style, and -weight.

implements the forward discrete Fourier transform (DFT).

This option is new as of ImageMagick 6.5.4-3 and transforms an image from the normal (spatial) domain to the frequency domain. In the frequency domain, an image is represented as a superposition of complex sinusoidal waves of varying amplitudes. The image x and y coordinates are the possible frequencies along the x and y directions, respectively, and the pixel intensity values are complex numbers that correspond to the sinusoidal wave amplitudes. See for example, Fourier Transform, Discrete Fourier Transform and Fast Fourier Transform.

A single image name is provided as output for this option. However, the output result will have two components. It will be either a two-frame image or two separate images, depending upon whether the image format specified supports multi-frame images. The reason that we get a dual output result is because the frequency domain represents an image using complex numbers, which cannot be visualized directly. Therefore, the complex values are automagically separated into a two-component image representation. The first component is the magnitude of the complex number and the second is the phase of the complex number. See for example, Complex Numbers.

The magnitude and phase component images must be specified using image formats that do not limit the color or compress the image. Thus, MIFF, TIF, PFM, EXR and PNG are the recommended image formats to use. All of these formats, except PNG support multi-frame images. So for example,

$magick> convert image.png -fft fft_image.miff

generates a magnitude image as fft_image.miff[0] and a phase image as fft_image.miff[1]. Similarly,

$magick> convert image.png -fft fft_image.png

generates a magnitude image as fft_image-0.png and a phase image as fft_image-1.png. If you prefer this representation, then you can force any of the other formats to produce two output images by including +adjoin following -fft in the command line.

The input image can be any size, but if not square and even-dimensioned, it will be padded automagically to the larger of the width or height of the input image and to an even number of pixels. The padding will occur at the bottom and/or right sides of the input image. The resulting output magnitude and phase images will be square at this size. The kind of padding relies on the -virtual-pixel setting.

Both output components will have dynamic ranges that fit within [0, QuantumRange], so that HDRI need not be enabled. Phase values nominally range from 0 to 2*π, but for non-HDRI compilations of ImageMagick, the phase image is scaled to span the full dynamic range. The magnitude image is not scaled and thus generally will contain very small values. As such, the image normally will appear totally black. In order to view any detail, the magnitude image typically is enhanced with a log function into what is usually called the spectrum. A log function is used to enhance the darker values more in comparison to the lighter values. This can be done, for example, as follows:

$magick> convert fft_image.miff[0] -contrast-stretch 0 \
-evaluate log 1000 fft_image_spectrum.png

where the -contrast-stretch 0 is used to scale the image to full dynamic range, first. The argument to the -evaluate log typically is specified between 100 and 10,000, depending upon the amount of detail that one wants to bring out in the spectrum. Larger values produce more visible detail. Too much detail, however, may hide the important features.

The FFTW delegate library is required to use -fft.

Use +fft to produce two output images that are the real and imaginary components of the complex valued Fourier transform.

However, as the real and imaginary components can contain negative values, this requires that IM be configured with HDRI enabled. In this case, you must use either MIFF, TIF or PFM formats for the real and imaginary component results, since they are formats that preserve both negative and fractional values without clipping them or truncating the fractional part.

The real and imaginary component images resulting from +fft also will be square, even dimensioned images due to the same padding that was discussed above for the magnitude and phase component images.

See the discussion on HDRI implementations of ImageMagick on the page High Dynamic-Range Images. For more about HDRI go the ImageMagick Usage pages or this Wikipedia entry.

color to use when filling a graphic primitive.

This option accepts a color name, a hex color, or a numerical RGB, RGBA, HSL, HSLA, CMYK, or CMYKA specification. See Color Names for a description of how to properly specify the color argument.

Enclose the color specification in quotation marks to prevent the "#" or the parentheses from being interpreted by your shell.

For example,

-fill blue

-fill "#ddddff"

-fill "rgb(255,255,255)"

See -draw for further details.

To print a complete list of color names, use the -list color option.

Use this type of filter when resizing an image.

Use this option to affect the resizing operation of an image (see -resize). For example you can use a simple resize filter such as:

   Point       Hermite       Cubic
   Box         Gaussian      Catrom
   Triangle    Quadratic     Mitchell

The Bessel and Sinc filter is also provided, but are by default blackman-windowed. However these filters define a windowing filter for the Sinc or Bessel filter function, as appropriate for the scaling operator used (usally Sinc for orthogonal -resize). Windowed filters include:

   Lanczos       Hamming       Parzen
   Blackman      Kaiser        Welsh
   Hanning       Bartlett      Bohman

Also one special self-windowing filter is also provided Lagrange, which will automagically re-adjust its function depending on the current 'support' or 'lobes' expert settings (see below).

If you do not select a filter with this option, the filter defaults to Mitchell for a colormapped image, a image with a matte channel, or if the image is enlarged. Otherwise the filter default to Lanczos.

To print a complete list of resize filters, use the -list filter option.

You can modify how the filter behaves as it scales your image through the use of these expert settings:

-set filter:blur factor

Scale the X axis of the filter (and its window). Use > 1.0 for blurry or < 1.0 for sharp.

-set filter:support radius

Set the filter support radius.

-set filter:lobes count

Set the number of lobes to use for the Sinc/Bessel filter. This an alternative way of specifying the 'support' range of the filter.

-set filter:b b-spline_factor

-set filter:c keys_alpha_factor

Redefine the values used for cubic filters such as Cubic, Catrom, Mitchel, and Hermite, as well as the Parzen Sinc windowing function. If only one of the values are defined, the other is set so as to generate a 'Keys' type cubic filter.

-set filter:filter filter

Use this function directly as the scaling filter. This will allow you to directly use a 'windowing filter' such as blackman, rather than as its normal usage as a windowing function for 'Sinc' or 'Bessel'. If defined, no windowing function is used, unless the following expert setting is also defined.

-set filter:window filter

The IIR (infinite impulse response) filters bessel and sinc are windowed (brought down to zero over the defined support range) with the given filter. This allows you to use a filter that is not normally used as a windowing function, such as box, (which effectivally turns off the windowing function).

For example, to get a 8 lobe Lanczos-Bessel filter:

$magick> convert image.png -filter bessel \
-set filter:window=bessel -set filter:lobes=8 \
-resize 150% image.jpg

Or a raw un-windowed Sinc filter with 4 lobes:

$magick> convert image.png -set filter:filter=sinc -set filter:lobes=4 \
-resize 150% image.jpg

Note that the use of expert options (except for 'blur' with simple resize filters), are provided for image processing experts who have studied and understood how resize filters work. Without this knowledge, and an understanding of the defination of the actual filters involved, using expert settings are more likely to be detremental to your image resizing.

This is a simple alias for the -layers method "flatten".

create a mirror image.

reflect the scanlines in the vertical direction.

floodfill the image with color at the specified offset. Using -fuzz to floodfill pixels which only change by a small amount.

create a mirror image.

reflect the scanlines in the horizontal direction.

set the font to use when annotating images with text, or creating labels.

To print a complete list of fonts, use the -list font option (for versions prior to 6.3.6, use 'type' instead of 'font').

In addition to the fonts specified by the above pre-defined list, you can also specify a font from a specific source. For example Arial.ttf is a TrueType font file, ps:helvetica is PostScript font, and x:fixed is X11 font.

For other settings that affect fonts, see the options -family, -stretch, -style, and -weight.

Define the foreground color.

The color is specified using the format described under the -fill option.

The default foreground color is black.

the image format type.

When used with the mogrify utility, this option converts any image to the image format you specify. For a list of image format types supported by ImageMagick, use -list format.

By default the file is written to its original name. However, if the filename extension matches a supported format, the extension is replaced with the image format type specified with -format. For example, if you specify tiff as the format type and the input image filename is image.gif, the output image filename becomes image.tiff.

output formatted image characteristics.

[identify]

See Format and Print Image Properties for an explanation on how to specify the argument to this option.

Surround the image with a border or beveled frame.

The color of the border is specified with the -mattecolor command line option.

See Image Geometry for complete details about the geometry argument. The size portion of the geometry argument indicates the amount of extra width and height that is added to the dimensions of the image. If no offsets are given in the geometry argument, then the border added is a solid color. Offsets x and y, if present, specify that the width and height of the border is partitioned to form an outer bevel of thickness x pixels and an inner bevel of thickness y pixels. (Negative offsets make no sense here.) The -frame option is not affected by the -gravity option.

include the X window frame in the imported image.

[import]

Apply a function to channel values.

This operator performs calculations based on the given arguments to modify each of the color values for each previously set -channel in the image. See -evaluate for details concerning how the results of the calculations are handled.

This is can be considered a multi-argument version of the -evaluate operator. (Added in ImageMagick 6.4.8−8.)

Here, parameters is a comma-separated list of numerical values. The number of values varies depending on which function is selected. Choose the function from:

  Polynomial
  Sinusoid
  Arcsin
  Arctan

To print a complete list of -function operators, use -list function. Descriptions follow.

Polynomial

The Polynomial function takes an arbitrary number of parameters, these being the coefficients of a polynomial, in decreasing order of degree. That is, entering

-function Polynomial a_n,a_n-1,...a₁,a₀

will invoke a polynomial function given by

a_n uⁿ + a_n-1 u^n-1 + ··· a₁ u + a₀,

where u is pixel's original normalized channel value.

The Polynomial function can be used in place of Set (the constant polynomial) and Add, Divide, Multiply, and Subtract (some linear polynomials) of the -evaluate operator. The -level operator also affects channels linearly. Some correspondences follow.

-evaluate Set value	-function Polynomial value	(Constant functions; set value×100% gray when channels are RGB.)
-evaluate Add value	-function Polynomial 1,value
-evaluate Subtract value	-function Polynomial 1,−value
-evaluate Multiply value	-function Polynomial value,0
+level black% x white%	-function Polynomial A,B	(Reduce contrast. Here, A=(white-black)/100 and B=black/100.)

The Polynomial function gives great versatility, since polynomials can be used to fit any continuous curve to any degree of accuracy desired.

Sinusoid

The Sinusoid function can be used to vary the channel values sinusoidally by setting frequency, phase shift, amplitude, and a bias. These values are given as one to four parameters, as follows,

-function Sinusoid freq,[phase,[amp,[bias]]]

where phase is in degrees. (The domain [0,1] of the function corresponds to 0 through freq×360 degrees.) The result is that if a pixel's normalized channel value is originally u, its resulting normalized value is given by

amp * sin(2*π* (freq * u + phase / 360)) + bias

For example, the following generates a curve that starts and ends at 0.9 (when u=0 and 1, resp.), oscillating three times between .7−.2=.5 and .7+.2=.9.

-function Sinusoid 3,-90,.2,.7

The default values of amp and bias are both .5. The default for phase is 0.

The Sinusoid function generalizes Sin and Cos of the -evaluate operator by allowing varying amplitude, phase and bias. The correspondence is as follows.

-evaluate Sin freq	-function Sinusoid freq,0
-evaluate Cos freq	-function Sinusoid freq,90

ArcSin

The ArcSin function generates the inverse curve of a Sinusoid, and can be used to generate cylindrical distortion and displacement maps. The curve can be adjusted relative to both the input values and output range of values.

-function ArcSin width,[center,[range,[bias]]]

with all values given in terms of noramlize color values (0.0 for black, 1.0 for white). Defaulting to values covering the full range from 0.0 to 1.0 for bout input (width), and output (width) values. '1.0,0.5,1.0,0.5'

range/π * asin( 2/width * ( u - center ) ) + bias

ArcTan

The ArcTan function generates a curve that smooth crosses from limit values at infinities, though a center using the given slope value. All these values can be adjusted via the arguments.

-function ArcTan slope,[center,[range,[bias]]]

Defaulting to '1.0,0.5,1.0,0.5'.

range/π * atan( slope*π * ( u - center ) ) + bias

Colors within this distance are considered equal.

A number of algorithms search for a target color. By default the color must be exact. Use this option to match colors that are close to the target color in RGB space. For example, if you want to automagically trim the edges of an image with -trim but the image was scanned and the target background color may differ by a small amount. This option can account for these differences.

The distance can be in absolute intensity units or, by appending % as a percentage of the maximum possible intensity (255, 65535, or 4294967295).

apply a mathematical expression to an image or image channels.

If the first character of expression is @, the expression is read from a file titled by the remaining characters in the string.

See FX, The Special Effects Image Operator for a detailed discussion of this option.

level of gamma correction.

The same color image displayed on two different workstations may look different due to differences in the display monitor. Use gamma correction to adjust for this color difference. Reasonable values extend from 0.8 to 2.3. Gamma less than 1.0 darkens the image and gamma greater than 1.0 lightens it. Large adjustments to image gamma may result in the loss of some image information if the pixel quantum size is only eight bits (quantum range 0 to 255).

Gamma adjusts the image's channel values pixel-by-pixel according to a power law, namely, pow(pixel,1/gamma) or pixel^(1/gamma), where pixel is the normalized or 0 to 1 color value. For example, using a value of gamma=2 is the same as taking the square root of the image.

You can apply separate gamma values to the red, green, and blue channels of the image with a gamma value list delimited with commas (e.g., 1.7,2.3,1.2).

Use +gamma value to set the image gamma level without actually adjusting the image pixels. This option is useful if the image is of a known gamma but not set as an image attribute (e.g. PNG images).

Note that gamma adjustments are also available via the -level operator.

Blur the image with a Gaussian operator.

Convolve the image with a Gaussian or normal distribution. The formula is:

where r is the blur radius (r² = u² + v²), and σ is the standard deviation of the Gaussian distribution. As a guideline, set r to approximately 3σ. Specify a radius of 0 and ImageMagick selects a suitable radius for you.

This differs from the faster -blur operator in that a full 2-dimentional convolution is used to generate the weighted average of the neighbouring pixels.

The -virtual-pixel setting will determine how pixels which are outside the image proper are blurred into the final result.

Set the preferred size and location of the image.

See Image Geometry for complete details about the geometry argument.

Sets the current gravity suggestion for various other settings and options.

Choices include: NorthWest, North, NorthEast, West, Center, East, SouthWest, South, SouthEast. Use -list gravity to get a complete list of -gravity settings available in your ImageMagick installation.

The direction you choose specifies where to position text or subimages. For example, a gravity of Center forces the text to be centered within the image. By default, the image gravity is NorthWest. See -draw for more details about graphic primitives. Only the text primitive of -draw affected by the -gravity option.

The -gravity option is also used in concert with the -geometry setting and other settings or options that take geometry as an argument, such as the -crop option.

If a -gravity setting occurs before another option or setting having a geometry argument that specifies an offset, the offset is usually applied to the point within the image suggested by the -gravity argument. Thus, in the following command, for example, suppose the file image.png has dimensions 200x100. The offset specified by the argument to -region is (−40,+20). The argument to -gravity is Center, which suggests the midpoint of the image, at the point (100,50). The offset (−40,20) is applied to that point, giving (100−40,50+20)=(60,70), so the specified 10x10 region is located at that point. (In addition, the -gravity affects the region itself, which is centered at the pixel coordinate (60,70). (See Image Geometry for complete details about the geometry argument.)

$magick> convert image.png -gravity Center -region 10x10-40+20 -negate output.png

When used as an option to composite, -gravity gives the direction that the image gravitates within the composite.

When used as an option to montage, -gravity gives the direction that an image gravitates within a tile. The default gravity is Center for this purpose.

green chromaticity primary point.

apply a Hald color lookup table to the image.

A Hald color lookup table is a 3-dimensional color cube mapped to 2 dimensions. Create it with the HALD: prefix (e.g. HALD:8). You can apply any color transformation to the Hald image and then use this option to apply the transform to the image.

$magick> convert image.png hald.png -hald-clut transform.png

This option provides a convenient method for you to use Gimp or Photoshop to make color corrections to the Hald CLUT image and subsequently apply them to multiple images using an ImageMagick script.

Note that the representation is only of the normal RGB color space and that the whole color value triplet is used for the interpolated lookup of the represented Hald color cube image. Because of this the operation is not -channel setting effected, nor can it adjust or modify an images transparency or alpha/matte channel.

See also -clut which provides color value replacement of the individual color channels, usally involving a simplier gray-scale image. E.g: gray-scale to color replacement, or modification by a histogram mapping.

print usage instructions.

when comparing images, emphasize pixel differences with this color.

specify the icon geometry.

Offsets, if present in the geometry specification, are handled in the same manner as the -geometry option, using X11 style to handle negative offsets.

See Image Geometry for complete details about the geometry argument.

iconic animation.

identify the format and characteristics of the image.

This information is printed: image scene number; image name; image size; the image class (DirectClass or PseudoClass); the total number of unique colors; and the number of seconds to read and transform the image. Refer to MIFF for a description of the image class.

If -colors is also specified, the total unique colors in the image and color reduction error values are printed. Refer to color reduction algorithm for a description of these values.

If -verbose preceds this option, copious amounts of image properties are displayed including image statistics, profiles, image histogram, and others.

implements the inverse discrete Fourier transform (DFT).

This option is new as of ImageMagick 6.5.4-3 and transforms a pair of magnitude and phase images from the frequency domain to a single image in the normal or spatial domain. See for example, Fourier Transform, Discrete Fourier Transform and Fast Fourier Transform.

For example, depending upon the image format used to store the result of the -fft, one would use either

$magick> convert fft_image.miff -ift fft_image_ift.png

or

$magick> convert fft_image-0.png fft_image-1.png -ift fft_image_ift.png

The resulting image may need to be cropped due to padding introduced when the original image, prior to the -fft or +fft, was not square or even dimensioned. Any padding will be at the right and/or bottom sides of the image.

The FFTW delegate library is required to use -ift.

Use +ift (with HDRI enabled) to transform a pair of real and imaginary images from the frequency domain to a single image in the normal (spatial) domain.

make image immutable.

implode image pixels about the center.

insert the last image into the image sequence.

This option takes last image in the current image sequence and inserts it at the given index. If a negative index is used, the insert position is calculated before the last image is removed from the sequence. As such -insert -1 will result in no change to the image sequence.

The +insert option is equivalent to -insert -1. In other words, insert the last image, at the end of the current image sequence. Consequently this has no effect on the image sequence order.

use this type of rendering intent when managing the image color.

Use this option to affect the color management operation of an image (see -profile). Choose from these intents: Absolute, Perceptual, Relative, Saturation.

The default intent is undefined.

To print a complete list of rendering intents, use -list intent.

the type of interlacing scheme.

Choose from:

  none
  line
  plane
  partition
  JPEG
  GIF
  PNG

This option is used to specify the type of interlacing scheme for raw image formats such as RGB or YUV.

None means do not interlace (RGBRGBRGBRGBRGBRGB...),

Line uses scanline interlacing (RRR...GGG...BBB...RRR...GGG...BBB...), and.

Plane uses plane interlacing (RRRRRR...GGGGGG...BBBBBB...).

Partition is like plane except the different planes are saved to individual files (e.g. image.R, image.G, and image.B).

Use Line or Plane to create an interlaced PNG or GIF or progressive JPEG image.

To print a complete list of interlacing schemes, use -list interlace.

Set the pixel color interpolation method to use when looking up a color based on a floating point or real value.

When looking up the color of a pixel using a non-interger floating point value, you typically fall in between the pixel colors defined by the source image. This setting determines how the color is determined from the colors of the pixels surrounding that point. That is how to determine the color of a point that falls between two, or even four different colored pixels.

  integer:           The color of the top-left pixel (floor function)
  nearest-neighbor:  The nearest pixel to the lookup point (rounded function)
  average:           The average color of the surrounding four pixels
  bilinear           A double linear interpolation of pixels (the default)
  mesh               Divide area into two flat triangular interpolations
  bicubic            Fitted bicubic-spines of surrounding 16 pixels
  spline             Direct spline curves (colors are blurred)
  filter             Use resize -filter settings

This most important for distortion operators such as -distort, -implode, -transform and -fx.

To print a complete list of interpolation methods, use -list interpolate.

See also -virtual-pixel, for control of the lookup for positions outside the boundaries of the image.

the space between two text lines.

the space between two words.

the space between two letters.

assign a label to an image.

Use this option to assign a specific label to the image, as it is read in or created. You can use the -set operation to re-assign a the labels of images already read in. Image formats such as TIFF, PNG, MIFF, supports saving the label information with the image.

When saving an image to a PostScript file, any label assigned to an image is used as a header string to print above the postscript image.

You can include the image filename, type, width, height, or other image attribute by embedding special format character. See -format for details of the percent escape codes.

For example,

-label "%m:%f %wx%h" bird.miff

assigns an image label of MIFF:bird.miff 512x480 to the "bird.miff" image and whose width is 512 and height is 480, as it is read in. If a +label option was used instead, any existing label present in the image would be used. You can remove all labels from an image by assigning the empty string.

A label is not drawn on the image, but is embedded in the image datastream via Label tag or similar mechanism. If you want the label to be visible on the image itself, use the -draw option, or during the final processing in the creation of a image montage.

The label font can be specified with -font, and the other font attribute settings.

If the first character of string is @, the image label is read from a file titled by the remaining characters in the string. Labels in a file are literal, no embedded formatting characters are recognized.

perform local adaptive threshold.

Adaptively threshold each pixel based on the value of pixels in a surrounding window. If the current pixel is lighter than this average plus the optional offset, then it is made white, otherwise it is made black. Small variations in pixel values such as found in scanned documents can be ignored if offset is positive. A negative offset will make it more sensitive to those small variations.

This is commonly used to threshold images with an uneven background. It is based on the assumption that average color of the small window is the the local background color, from which to separate the forground color.

handle multiple images forming a set of image layers or animation frames.

Perform various image operation methods to a ordered sequence of images which may represent either a set of overlaid 'image layers', a GIF disposal animation, or a fully-'coalesced' animation sequence.

Method	Description
compare-any	Crop the second and later frames to the smallest rectangle that contains all the differences between the two images. No GIF -dispose methods are taken into account.
	This exactly the same as the -deconstruct operator, and does not preserve animations normal working, especially when animation used layer disposal methods such as 'Previous' or 'Background'.
compare-clear	As 'compare-any' but crop to the bounds of any opaque pixels which become transparent in the second frame. That is the smallest image needed to mask or erase pixels for the next frame.
compare-overlay	As 'compare-any' but crop to pixels that add extra color to the next image, as a result of overlaying color pixels. That is the smallest single overlaid image to add or change colors.
	This can be used with the -compose alpha composition method 'change-mask', to reduce the image to just the pixels that need to be overlaid.
coalesce	Equivalent to a call to the -coalesce operator. Apply the layer disposal methods set in the current image sequence to form a fully defined animation sequence, as it should be displayed. Effectively converting a GIF animation into a 'film strip'-like animation.
composite	Alpha Composition of two image lists, separated by a "null:" image, with the destination image list first, and the source images last. An image from each list are composited together until one list is finished. The separator image and source image lists are removed.
	The -geometry offset is adjusted according to -gravity in accordance of the virtual canvas size of the first image in each list. Unlike a normal -composite operation, the canvas offset is also added to the final composite positioning of each image.
	If one of the image lists only contains one image, that image is applied to all the images in the other image list, regardless of which list it is. In this case it is the image meta-data of the list which preserved.
dispose	This like 'coalesce' but shows the look of the animation after the layer disposal method has been applied, before the next sub-frame image is overlaid. That is the 'dispose' image that results from the application of the GIF -dispose method. This allows you to check what is going wrong with a particular animation you may be developing.
flatten	Create a canvas the size of the first images virtual canvas using the current -background color, and -compose each image in turn onto that canvas. Images falling outside that canvas is clipped. Final image will have a zero virtual canvas offset.
	This usally used as one of the final 'image layering' operations overlaying all the prepared image layers into a final image.
	For a single image this method can also be used to fillout a virtual canvas with real pixels, or to underlay a opaque color to remove transparency from an image.
merge	As 'flatten' method but merging all the given image layers into a new layer image just large enough to hold all the image without clipping or extra space. The new images virtual offset will prevere the position of the new layer, even if this offset is negative. the virtual canvas size of the first image is preserved.
	Caution is advised when handling image layers with negative offsets as few image file formats handle them correctly.
mosaic	As 'flatten' method but expanding the initial canvas size of the first image so as to hold all the image layers. However as a virtual canvas is 'locked' to the origin, by defination, image layers with a negative offsets will still be clipped by the top and left edges.
	This method is commonly used to layout individual image using various offset but without knowning the final canvas size. The resulting image will, like 'flatten' not have any virtual offset, so can be saved to any image file format.
optimize	Optimize a coalesced animation, into GIF animation using a number of general techniques. This currently a short cut to apply both the 'optimize-frame', and 'optimize-transparency' methods but may be expanded to include other optimization methods as they are developed.
optimize-frame	Optimize a coalesced animation, into GIF animation by reducing the number of pixels per frame as much as possible by attempting to pick the best layer disposal method to use, while ensuring the result will continue to animate properly.
	There is no guarantee that the best optimization is found. But then no reasonably fast GIF optimization algorithm can do this. However this does seem to do better than most other GIF frame optimizers seen.
optimize-plus	As 'optimize-frame' but attempt to improve the overall optimization by adding extra frames to the animation, without changing the final look or timing of the animation. The frames are added to attempt to separate the clearing of pixels from the overlaying of new additional pixels from one animation frame to the next. If this does not improve the optimization (for the next frame only), it will fall back to the results of the previous normal 'optimize-frame' technique.
	There is the possibility that the change in the disposal style will result in a worsening in the optimization of later frames, though this is unlikely. In other words there no guarantee that it is better than the normal 'optimize-frame' technique. For some animations however you can get a vast improvment in the final animation size.
optimize-transparency	Given a GIF animation, replace any pixel in the sub-frame overlay images with transparency, if it does not change the resulting animation by more than the current -fuzz factor.
	This should allow a existing frame optimized GIF animation to compress into a smaller file size due to larger areas of one (transparent) color rather than a pattern of multiple colors repeating the current disposed image of the last frame.
remove-dups	Remove (and merge time delays) of duplicate consecutive images, so as to simplify layer overlays of coalesced animations.
	Usually this a result of using a constant time delay across the whole animation, or after a larger animation was split into smaller sub-animations. The duplicate frames could also have been used as part of some frame optimization methods.
remove-zero	Remove any image with a zero time delay, unless ALL the images have a zero time delay (and is not a proper timed animation, a warning is then issued).
	In a GIF animation, such images are usually frames which provide partial intermediary updates between the frames that are actually displayed to users. These frames are usally added for improved frame optimization in GIF animations.
trim-bounds	Find the bounds of all the images in the current image sequence, then adjust the offsets so all images are contained on a minimal positive canvas. None of the image data is modified, only there virtual canvas size and offset. The all the image is given the same canvas size, and and will have a positive offset, but will remain in the same position relative to each other. As a result of the minimal canvas size at least one image will touch every edge of that canvas. The image data however may be transparent.

To print a complete list of layer types, use -list layers.

The operators -coalesce, -deconstruct, -flatten, and -mosaic are only aliases for the above methods. Also see -page, -repage operators, the -compose setting, and the GIF -dispose and -delay settings.

adjust the level of image channels.

Given one, two or three values delimited with commas: black-point, white-point, gamma (for example: 10,250,1.0 or 2%,98%,0.5). The black and white points range from 0 to QuantumRange, or from 0 to 100%; if the white point is omitted it is set to (QuantumRange - black_point), so as to center contrast changes. If a % sign is present anywhere in the string, both black and white points are percentages of the full color range. Gamma will do a -gamma adjustment of the values. If it is omitted, the default of 1.0 (no gamma correction) is assumed.

In normal usage (-level) the image values are stretched so that the given 'black_point' value in the original image is set to zero (or black), while the given 'white_point' value is set to QuantumRange (or white). This provides you with direct contrast adjustments to the image. The 'gamma' of the resulting image will then be adjusted.

From ImageMagick v6.4.1-9 using the plus form of the operator (+level) or adding the special '!' flag anywhere in the argument list, will cause the operator to do the reverse of the level adjustment. That is a zero, or QuantumRange value (black, and white, resp.) in the original image, is adjusted to the given level values, allowing you to de-contrast, or compress the channel values within the image. The 'gamma' is adjusted before the level adjustment to de-contrast the image is made.

Only the channels defined by the current -channel setting are adjusted (defaults to RGB color channels only), allowing you to limit the effect of this operator.

Please note that the transparency channel is treated as 'matte' values (0 is opaque) and not as 'alpha' values (0 is transparent).

adjust the level of an image using the provided dash seperated colors.

This function is exactly like -level, except that the value value for each color channel is determined by the 'black_color' and 'white_color' colors given (as described under the -fill option).

This effectivally means the colors provided to -level-colors is mapped to become 'black' and 'white' respectivally, with all the other colors linearly adjusted (or clipped) to match that change. Each channel is adjusted separatally using the channel values of the colors specified.

On the other hand the plus form of the operator (+level-colors) will map the image color 'black' and 'white' to the given colors respectivally, resulting in a gradient (de-contrasting) tint of the image to those colors. This can also be used to convert a plain gray-scale image into a one using the gradient of colors specified.

By supplying a single color with a comma separator either before or after that color, will just replace the respective 'black' or 'white' point respectivally. But if no comma separator is provided, the given color is used for both the black and white color points, making the operator either threshold the images around that color (- form) or set all colors to that color (+ form).

Set the pixel cache resource limit.

Choose from: area, disk, file, map, memory, threads, or time.

The value for file is in number of files. The other limits are in bytes. By default the limits are 768 files, 2GB of image area, 1.5GiB memory, 8GiB memory map, and 18.45EB of disk. These limits are adjusted relative to the available resources on your computer if this information is available. When any limit is reached, ImageMagick fails in some fashion but attempts to take compensating actions, if possible. For example, the following limits memory:

-limit memory 32MiB -limit map 64MiB

Use -list resource to list the current limits. For example, our system shows these limits:

$magick> identify -list resource

File         Area       Memory          Map         Disk   Thread         Time
------------------------------------------------------------------------------
 768     12.404GB    8.6642GiB    23.104GiB  18.446744EB        8    unlimited

Requests for pixel storage to keep intermediate images are satisfied by one of three resource categories: in-memory pool, memory-mapped files pool, and disk pool (in that order) depending on the ‑limit settings and whether the system honors a resource request. If the total size of allocated pixel storage in the given pool reaches the corresponding limit, the request is passed to the next pool. Additionally, requests that exceed the area limit automagically are allocated on disk.

To illustrate how ImageMagick utilizes resource limits, consider a typical image resource request. First, ImageMagick tries to allocate the pixels in memory. The request might be denied if the resource request exceeds the memory limit or if the system does not honor the request. If a memory request is not honored, the pixels are allocated to disk and the file is memory-mapped. However, if the allocation request exceeds the map limit, the resource allocation goes to disk. In all cases, if the resource request exceeds the area limit, the pixels are automagically cached to disk. If the disk has a hard limit, the program fails.

In most cases you simply do not need to concern yourself with resource limits. ImageMagick chooses reasonable defaults and most images do not tax your computer resources. Where limits do come in handy is when you process images that are large or on shared systems where ImageMagick can consume all or most of the available memory. In this case, the ImageMagick workflow slows other processes or, in extreme cases, brings the system to a halt. Under these circumstances, setting limits give some assurances that the ImageMagick workflow will not interfere with other concurrent uses of the computer. For example, assume you have a web interface that processes images uploaded from the Internet. To assure ImageMagick does not exceed 10mb of memory you can simply set the area limit to 10mb:

-limit area 10mb

Now whenever a large image is processed, the pixels are automagically cached to disk instead of memory. This of course implies that large images typically process very slowly, simply because pixel processing in memory can be an order of magnitude faster than on disk. Because your web site users might inadvertedly upload a huge image to process, you should set a disk limit as well:

-limit area 10mb -limit disk 500mb

Here ImageMagick stops processing if an image requires more than 500MB of disk storage.

In addition to command-line resource limit option, resources can be set with environment variables. Set the environment variables MAGICK_AREA_LIMIT, MAGICK_DISK_LIMIT, MAGICK_FILE_LIMIT, MAGICK_MEMORY_LIMIT, MAGICK_MAP_LIMIT, MAGICK_THREAD_LIMIT, MAGICK_TIME_LIMIT for limits of image area, disk space, open files, heap memory, memory map, number of threads of execution, and maximum elapsed time in seconds respectively.

Inquisitive users can try adding -debug cache to their commands and then scouring the generated output for references to the pixel cache, in order to determine how the pixel cache was allocated and how resources were consumed. Advanced Unix/Linux users can pipe that output through grep memory|open|destroy|disk for more readable sifting.

For more about ImageMagick's use of resources, see the section Cache Storage and Resource Requirements on the Architecture page.

Linear with saturation stretch.

This is very similar to -contrast-stretch, and uses a 'histogram bin' to determine the range of color values that needs to be stretched. However it then stretchs those colors using the -level operator.

As such while the initial determination may have 'binning' round off effects, the image colors are stretched mathematically, rather than using the histogram bins. This makes the operator more accurate.

note however that a -linear-stretch of '0' does nothing, while a value of '1' does a near perfect stretch of the color range.

See also -auto-level for a 'perfect' normalization of mathematical images.

This operator is under review for re-development.

the line width for subsequent draw operations.

rescale image with seam-carving.

See Image Geometry for complete details about the geometry argument.

Print a list of supported arguments for various options or settings. Choose from these list types:

  coder
  color
  configure
  delegate
  font
  format
  list
  log
  magic
  module
  resource
  threshold

The above lists are only some of the many lists available. These lists vary depending on your version of ImageMagick. For example use "-list list" to get a complete listing of all the "-list" arguments available:

$magick> identify -list list

Specify format for debug log.

This option specifies the format for the log printed when the -debug option is active.

You can display the following components by embedding special format characters:

   %d   domain
   %e   event
   %f   function
   %l   line
   %m   module
   %p   process ID
   %r   real CPU time
   %t   wall clock time
   %u   user CPU time
   %%   percent sign
   \n   newline
   \r   carriage return

For example:

$magick> convert -debug coders -log "%u %m:%l %e" in.gif out.png

The default behavior is to print all of the components.

add Netscape loop extension to your GIF animation.

Set iterations to zero to repeat the animation an infinite number of times, otherwise the animation repeats itself up to iterations times.

when comparing images, de-emphasize pixel differences with this color.

magnify the image.

Display image using this type.

[animate, display]

Choose from these Standard Colormap types:

  best
  default
  gray
  red
  green
  blue

The X server must support the Standard Colormap you choose, otherwise an error occurs. Use list as the type and display searches the list of colormap types in top-to-bottom order until one is located. See xstdcmap(1) for one way of creating Standard Colormaps.

pixel map.

[stream]

Here are the valid components of a map:

  r        red pixel component
  g        green pixel component
  b        blue pixel component
  a        alpha pixel component (0 is transparent)
  o        opacity pixel component (0 is opaque)
  i        grayscale intensity pixel component
  c        cyan pixel component
  m        magenta pixel component
  y        yellow pixel component
  k        black pixel component
  p        pad component (always 0)

You can specify as many of these components as needed in any order (e.g. bgr). The components can repeat as well (e.g. rgbr).

Composite the image pixels as defined by the mask.

Use +mask to remove the image mask.

Specify the color to be used with the -frame option.

The color is specified using the format described under the -fill option.

The default matte color is #BDBDBD, this shade of gray.

apply a median filter to the image.

Output to STDERR a measure of the differences between images according to the type given metric.

Choose from:

 AE    absolute number of differnet pixels
 MAE   mean absolute error (normalized), average channel error distance
 MEPP  mean error per pixel (normalized mean error, normalized peak error)
 MSE   mean error squared, average of the channel error squared
 PAE   peak absolute (normalize peak absolute)
 PSNR  peak signal to noise ratio
 RMSE  root mean squared (normalized root mean squared)

The 'AE' or absolute count of pixels that are different, can be controled using a -fuzz factor to ignore pixels which only changed by a small amount. The 'PAE' can be used to find the size of the -fuzz factor needed to make all pixels 'similar'.

The 'MEPP' metric returns three different metrics ('MAE', 'MAE' normalized, and 'PAE' normalized) from the single comparision run.

To print a complete list of metrics, use the -list metrics option.

Mode of operation.

[montage]

Choose the value from these styles: Frame, Unframe, or Concatenate

Use the -list option with a 'Mode' argument for a list of -mode arguments available in your ImageMagick installation.

Vary the brightness, saturation, and hue of an image.

The arguments are given as a percentages of variation. A value of 100 means no change, and any missing values are taken to mean 100.

The brightness is a multiplier of the overall brightness of the image, so 0 means pure black, 50 is half as bright, 200 is twice as bright. To invert its meaning -negate the image before and after.

The saturation controls the amount of color in an image. For example, 0 produce a grayscale image, while a large value such as 200 produce a very colorful, 'cartoonish' color.

The hue argument causes a "rotation" of the colors within the image by the amount specified. For example, 50 results in a counter-clockwise rotation of 90, mapping red shades to purple, and so on. A value of either 0 or 200 results in a complete 180 degree rotation of the image. Using a value of 300 is a 360 degree rotation resulting in no change to the original image.

For example, to increase the color brightness by 20% and decrease the color saturation by 10% and leave the hue unchanged, use -modulate 120,90.

Use -set attribute of 'option:modulate:colorspace' to specify which colorspace to modulate. Choose from HSB, HSL (the default), or HWB. For example,

$magick> convert image.png -set option:modulate:colorspace hsb -modulate 120,90 modulate.png

monitor progress.

transform the image to black and white.

morphs an image sequence.

Both the image pixels and size are linearly interpolated to give the appearance of a meta-morphosis from one image to the next, over all the images in the current image list. The added images are the equivalent of a -blend composition. The frames argument determine how many images to interpolate between each image.

an simple alias for the -layers method "mosaic"

simulate motion blur.

Blur with the given radius, standard deviation (sigma), and angle. The angle given is the angle toward which the image is blurred. That is the direction people would consider the object is coming from.

Note that the blur is not uniform distribution, giving the motion a definate sense of direction of movement.

The -virtual-pixel setting will determine how pixels which are outside the image proper are blurred into the final result.

name an image.

replace every pixel with its complementary color.

The red, green, and blue intensities of an image are negated. White becomes black, yellow becomes blue, etc. Use +negate to only negate the grayscale pixels of the image.

Add or reduce noise in an image.

The principal function of noise peak elimination filter is to smooth the objects within an image without losing edge information and without creating undesired structures. The central idea of the algorithm is to replace a pixel with its next neighbor in value within a pixel window, if this pixel has been found to be noise. A pixel is defined as noise if and only if this pixel is a maximum or minimum within the pixel window.

Use -noise radius to specify the width of the neighborhood when reducing noise.

Use +noise followed by a noise type to add noise to an image. Choose from these noise types:

Gaussian
Impulse
Laplacian
Multiplicative
Poisson
Random
Uniform

To print a complete list of noises, use the -list noise option.

Also see the -evaluate noise functions that allos the use of a controlling value to specify teh amount of noise that should be added to an image.

Increase the contrast in an image by stretching the range of intensity values.

The intensity values are stretched to cover the entire range of possible values. While doing so, black-out at most 2% of the pixels and white-out at most 1% of the pixels.

Note that as of ImageMagick 6.4.7-0, -normalize is equivalent to -contrast-stretch 2%x1%. (Before this version, it was equivalent to -contrast-stretch 2%x99%).

All the channels are normalized in concert by the came amount so as to preserve color integrity, when the default +channel setting is in use. Specifing any other -channel setting will normalize the RGB channels independently.

See -contrast-stretch for more details. Also see -auto-level for a 'perfect' normalization that is better suited to mathematically generated images.

This operator is under review for re-development.

dither the image using a pre-defined ordered dither threshold map specified, and a uniform color map with the given number of levels per color channel .

You can choose from these standard threshold maps:

  threshold
  checks
  o2x2
  o3x3
  o4x4
  o8x8
  h4x4a
  h6x6a
  h8x8a
  h4x4o
  h6x6o
  h8x8o
  h16x16o

The 'o' maps are ordered diffused pixel threshold maps, while the 'h' maps are halftone threshold maps which are either 'a' angled, or 'o' orthogonal. The 'checks' produce a 3 level checkerbord dither pattern. Or you can define your own threshold map in a personal or system "thresholds.xml" XML file.

To print a complete list of threshold, use the -list threshold option.

It is recommended that the +map operator be used after applying -ordered-dither to reduce the number of colors an animated image sequence, to less that 256 colors. This ensures that a common or global color table is used when saving the result to a color limited file format such as GIF.

Note that at this time the exact same threshold dithering map is used for all color channels, no attempt is made to offset or rotate the map for different channels is made, to create an offset printing effect. (possible future expansion)

change this color to the fill color within the image.

The color argument is defined using the format described under the -fill option. The -fuzz setting can be used to match and replace colors similar to the one given.

The -transparent operator is exactly the same as -opaque but makes the matching color transparent, rather than the same as the current -fill color.

Use +opaque to paint any pixel that does not match the target color.

specify orientation of a digital camera image.

Choose from these orientations:

  bottom-left
  bottom-right
  left-bottom
  left-top
  right-bottom
  right-top
  top-left
  top-right
  undefined

To print a complete list of orientations, use the -list orientation option.

Set the size and location of an image on the larger virtual canvas.

See Image Geometry for complete details about the geometry argument.

For convenience you can specify the page size using media (see below). Offsets can then be added as with other geometry arguments (e.g. -page Letter+43+43).

Use media as shorthand to specify the dimensions (widthxheight) of the PostScript page in dots per inch or a TEXT page in pixels. The choices for a PostScript page are:

media	width	height
11x17	792	1224
Ledger	1224	792
Legal	612	1008
Letter	612	792
LetterSmall	612	792
ArchE	2592	3456
ArchD	1728	2592
ArchC	1296	1728
ArchB	864	1296
ArchA	648	864
A0	2380	3368
A1	1684	2380
A2	1190	1684
A3	842	1190
A4	595	842
A4Small	595	842
A5	421	595
A6	297	421
A7	210	297
A8	148	210
A9	105	148
A10	74	105
B0	2836	4008
B1	2004	2836
B2	1418	2004
B3	1002	1418
B4	709	1002
B5	501	709
C0	2600	3677
C1	1837	2600
C2	1298	1837
C3	918	1298
C4	649	918
C5	459	649
C6	323	459
Flsa	612	936
Flse	612	936
HalfLetter	396	612

This option is also used to place subimages when writing to a multi-image format that supports offsets, such as GIF89 and MNG. When used for this purpose the offsets are always measured from the top left corner of the canvas and are not affected by the -gravity option. To position a GIF or MNG image, use -page{+-}x{+-}y (e.g. -page +100+200). When writing to a MNG file, a -page option appearing ahead of the first image in the sequence with nonzero width and height defines the width and height values that are written in the MHDR chunk. Otherwise, the MNG width and height are computed from the bounding box that contains all images in the sequence. When writing a GIF89 file, only the bounding box method is used to determine its dimensions.

For a PostScript page, the image is sized as in -geometry but positioned relative to the lower left-hand corner of the page by {+-}xoffset{+-}y offset. Use -page 612x792, for example, to center the image within the page. If the image size exceeds the PostScript page, it is reduced to fit the page. The default gravity for the -page option is NorthWest, i.e., positive x and y offset are measured rightward and downward from the top left corner of the page, unless the -gravity option is present with a value other than NorthWest.

The default page dimensions for a TEXT image is 612x792.

This option is used in concert with -density.

Use +page to remove the page settings for an image.

simulate an oil painting.

Each pixel is replaced by the most frequent color in a circular neighborhood whose width is specified with radius.

write images to this path on disk.

Pause between animation loops.

[animate]

Pause for the specified number of seconds before repeating the animation.

Pause between snapshots.

[import]

Pause for the specified number of seconds before taking the next snapshot.

efficiently determine image characteristics.

pointsize of the PostScript, OPTION1, or TrueType font.

simulate a Polaroid picture.

Use +polaroid to rotate the image at a random angle between -15 and +15 degrees.

reduce the image to a limited number of color levels.

image preview type.

Use this option to affect the preview operation of an image (e.g. convert file.png -preview Gamma Preview:gamma.png). Choose from these previews:

  Rotate
  Shear
  Roll
  Hue
  Saturation
  Brightness
  Gamma
  Spiff
  Dull
  Grayscale
  Quantize
  Despeckle
  ReduceNoise
  Add Noise
  Sharpen
  Blur
  Threshold
  EdgeDetect
  Spread
  Shade
  Raise
  Segment
  Solarize
  Swirl
  Implode
  Wave
  OilPaint
  CharcoalDrawing
  JPEG

To print a complete list of previews, use the -list preview option.

The default preview is JPEG.

interpret string and print to console.

process the image with a custom image filter.

The command arguments has the form "module arg1 arg2 arg3 ... argN" where module is the name of the module to invoke (e.g. "Analyze") and arg1 arg2 arg3 ... argN are an arbitrary number of arguments to pass to the process module.

Manage ICM, IPTC, or generic profiles in an image.

Using -profile filename adds an ICM (ICC color management), IPTC (newswire information), or a generic profile to the image.

Use +profile profile_name to remove the indicated profile. ImageMagick uses standard filename globbing, so wildcard expressions may be used to remove more than one profile. Here we remove all profiles from the image except for the XMP profile: +profile "!xmp,*".

Use identify -verbose to find out which profiles are in the image file. Use -strip to remove all profiles (and comments).

To extract a profile, the -profile option is not used. Instead, simply write the file to an image format such as APP1, 8BImageMagick, ICM, or IPTC.

For example, to extract the Exif data (which is stored in JPEG files in the APP1 profile), use.

$magick> convert cockatoo.jpg profile.exif

It is important to note that results may depend on whether or not the original image already has an included profile. Also, keep in mind that -profile is an "operator" (as opposed to a "setting") and therefore a conversion is made each time it is encountered, in order, in the command-line. For instance, in the following example, if the original image is CMYK with profile, a CMYK-CMYK-RGB conversion results.

$magick> convert CMYK.tif -profile "CMYK.icc" -profile "RGB.icc" RGB.tiff

Furthermore, since ICC profiles are not necessarily symmetric, extra conversion steps can yield unwanted results. CMYK profiles are often very asymmetric since they involve 3−>4 and 4−>3 channel mapping.

JPEG/MIFF/PNG compression level.

For the JPEG and MPEG image formats, quality is 0 (lowest image quality and highest compression) to 100 (best quality but least effective compression). The default is to use the estimate quality of your input image otherwise 85. Use the -sampling-factor option to specify the factors for chroma downsampling.

For the MIFF image format, quality/10 is the zlib compression level, which is 0 (worst but fastest compression) to 9 (best but slowest). It has no effect on the image appearance, since the compression is always lossless.

For the JPEG-2000 image format, quality is mapped using a non-linear equation to the compression ratio required by the Jasper library. This non-linear equation is intended to loosely approximate the quality provided by the JPEG v1 format. The default quality value 85 results in a request for 16:1 compression. The quality value 100 results in a request for non-lossy compression.

For the MNG and PNG image formats, the quality value sets the zlib compression level (quality / 10) and filter-type (quality % 10). Compression levels range from 0 (fastest compression) to 100 (best but slowest). For compression level 0, the Huffman-only strategy is used, which is fastest but not necessarily the worst compression.

If filter-type is 4 or less, the specified filter-type is used for all scanlines:

  0: none
  1: sub
  2: up
  3: average
  4: Paeth

If filter-type is 5, adaptive filtering is used when quality is greater than 50 and the image does not have a color map, otherwise no filtering is used.

If filter-type is 6, adaptive filtering with minimum-sum-of-absolute-values is used.

Only if the output is MNG, if filter-type is 7, the LOCO color transformation and adaptive filtering with minimum-sum-of-absolute-values are used.

The default is quality is 85, which means nearly the best compression with adaptive filtering. The quality setting has no effect on the appearance of PNG and MNG images, since the compression is always lossless.

For further information, see the PNG specification.

When writing a JNG image with transparency, two quality values are required, one for the main image and one for the grayscale image that conveys the alpha channel. These are written as a single integer equal to the main image quality plus 1000 times the opacity quality. For example, if you want to use quality 85 for the main image and quality 90 to compress the opacity data, use -quality 90085.

reduce colors in this colorspace.

To print a complete list of colorspaces, use the -list colorspace option.

suppress all warning messages. Error messages are still reported.

Blur around the center of the image.

Note that this is actually a rotational blur rather than a radial and as such actually mis-named.

The -virtual-pixel setting will determine how pixels which are outside the image proper are blurred into the final result.

Lighten or darken image edges.

This will create a 3-D effect. Use -raise to create a raised effect, otherwise use +raise.

Unlike the similar -frame option, -raise does not alter the dimensions of the image.

Apply a random threshold to the image.

Translate, scale, shear, or rotate image colors.

Although variable-sized matrices can be used, typically one uses a 5x5 matrix for an RGBA image and a 6x6 for CMYKA. Populate the last row with normalized values to translate. The translation matrix is similar to that used by Adobe Flash except that the offset is scaled to 1.0 (divide Flash offset by 255).

Set the red chromaticity primary point.

Pay attention to warning messages.

Reduce the number of colors in an image to the colors used by this image.

If the -dither setting is enabled (the default) then the given colors are dithered over the image as necessary, otherwise the closest color (in RGB colorspace) is selected to replace that pixel in the image.

As a side effect of applying a -remap of colors across all images in the current image sequence, all the images will have the same color table. That means that when saved to a file format such as GIF, it will use that color table as a single common or global color table, for all the images, without requiring extra local color tables.

Use +remap to reduce all images in the current image sequence to use a common color map over all the images. This equivalent to appending all the images together (without extra background colors) and color reducing those images using -colors with a 256 color limit, then -remap those colors over the original list of images. This ensures all the images follow a single color map.

If the number of colors over all the images is less than 256, then +remap should not perform any color reduction or dithering, as no color changes are needed. In that case, its only effect is to force the use of a global color table. This recommended after using either -colors or -ordered-dither to reduce the number of colors in an animated image sequence.

Set a region in which subsequent operations apply.

The x and y offsets are treated in the same manner as in -crop.

See Image Geometry for complete details about the geometry argument.

perform a remote operation.

The only command recognized is the name of an image file to load.

If you have more than one display application running simultaneously, use the window option to specify which application to control.

render vector operations.

Use +render to turn off rendering vector operations. This useful when saving the result to vector formats such as MVG or SVG.

Adjust the canvas and offset information of the image.

This option is like -page but acts as an image operator rather than a setting. You can separately set the canvas size or the offset of the image on that canvas by only providing those components.

See Image Geometry for complete details about the geometry argument.

If a ! flag is given the offset given is added to the existing offset to move the image relative to its previous position. This useful for animation sequences.

A given a canvas size of zero such as '0x0' forces it to recalculate the canvas size so the image (at its current offset) will appear completely on that canvas (unless it has a negative offset).

Use +repage to completely remove/reset the virtual canvas meta-data from the images.

The -set 'page' option can be used to directly assign virtual canvas meta-data.

Resample image to specified horizontal and vertical resolution.

Resize the image so that its rendered size remains the same as the original at the specified target resolution. For example, if a 300 DPI image renders at 3 inches by 2 inches on a 300 DPI device, when the image has been resampled to 72 DPI, it will render at 3 inches by 2 inches on a 72 DPI device. Note that only a small number of image formats (e.g. JPEG, PNG, and TIFF) are capable of storing the image resolution. For formats which do not support an image resolution, the original resolution of the image must be specified via -density on the command line prior to specifying the resample resolution.

Note that Photoshop stores and obtains image resolution from a proprietary embedded profile. If this profile exists in the image, then Photoshop will continue to treat the image using its former resolution, ignoring the image resolution specified in the standard file header.

Resize an image.

See Image Geometry for complete details about the geometry argument. Offsets, if present in the geometry string, are ignored, and the -gravity option has no effect.

If the -filter option precedes the -resize option, the image is resized with the specified filter.

settings remain in effect until parenthesis boundary.

Reverse the order of images in the current image list.

roll an image vertically or horizontally by the amount given.

A negative x offset rolls the image left-to-right. A negative y offset rolls the image top-to-bottom.

Apply Paeth image rotation (using shear operations) to the image.

Use > to rotate the image only if its width exceeds the height. < rotates the image only if its width is less than the height. For example, if you specify -rotate "-90>" and the image size is 480x640, the image is not rotated. However, if the image is 640x480, it is rotated by -90 degrees. If you use > or <, enclose it in quotation marks to prevent it from being misinterpreted as a file redirection.

Empty triangles in the corners, left over from rotating the image, are filled with the background color.

See also the -distort operator and specifically the 'ScaleRotateTranslate' distort method.

scale image using pixel sampling.

-sample ignores the current -resize -filter setting. The results are equivalent to using -resize with a -filter setting of point, though -sample is a lot faster.

See Image Geometry for complete details about the geometry argument. Offsets, if present in the geometry string, are ignored, and the -gravity option has no effect.

sampling factors used by JPEG or MPEG-2 encoder and YUV decoder/encoder.

This option specifies the sampling factors to be used by the JPEG encoder for chroma downsampling. If this option is omitted, the JPEG library will use its own default values. When reading or writing the YUV format and when writing the M2V (MPEG-2) format, use -sampling-factor 2x1 or -sampling-factor 4:2:2 to specify the 4:2:2 downsampling method.

scale the image.

See Image Geometry for complete details about the geometry argument. The -scale option uses a simpler, faster algorithm than -resize, and it ignores the -filter setting if one is present. Offsets, if present in the geometry string, are ignored, and the -gravity option has no effect.

set scene number.

This option sets the scene number of an image or the first image in an image sequence.

specify the screen to capture.

This option indicates that the GetImage request used to obtain the image should be done on the root window, rather than directly on the specified window. In this way, you can obtain pieces of other windows that overlap the specified window, and more importantly, you can capture menus or other popups that are independent windows but appear over the specified window.

seed a new sequence of pseudo-random numbers

segment the colors of an image.

Segment an image by analyzing the histograms of the color components and identifying units that are homogeneous with the fuzzy c-means technique. This is part of the ImageMagick color quantization routines.

Specify cluster threshold as the number of pixels in each cluster that must exceed the cluster threshold to be considered valid. Smoothing threshold eliminates noise in the second derivative of the histogram. As the value is increased, you can expect a smoother second derivative. The default is 1.5.

If the -verbose setting is defined, a detailed report of the color clusters is returned.

Selectively blur pixels within a contrast threshold.

separate an image channel into a grayscale image. Specify the channel with -channel.

simulate a sepia-toned photo.

Specify threshold as the percent threshold of the intensity (0 - 99.9%).

This option applies a special effect to the image, similar to the effect achieved in a photo darkroom by sepia toning. Threshold ranges from 0 to QuantumRange and is a measure of the extent of the sepia toning. A threshold of 80% is a good starting point for a reasonable tone.

set an image attribute for all images in the current image sequence, after they have been created or read in.

Attributes of interest include -comment, -delay, -dispose, and -page. For example:

$magick> convert rose: -set comment 'Rose is a rose is a rose is a rose' rose.png $magick> identify -format %c rose.pngRose is a rose is a rose is a rose

The -repage operator will also set the 'page' attribute of images already in memory, but allows you to separately set the virtual canvas's size and offset components, and also allows relative offset changes, and automatic canvas size re-calculating. The above -set option is purely a direct, unmodified assignment of the virtual canvas (page) meta-data.

Set image options by prefixing the value with option:. Set attributes of the image registry by prefixing the value with registry:.

shade the image using a distant light source.

Specify azimuth and elevation as the position of the light source. Use +shade to return the shading results as a grayscale image.

simulate an image shadow.

use shared memory.

This option specifies whether the utility should attempt to use shared memory for pixmaps. ImageMagick must be compiled with shared memory support, and the display must support the MIT-SHM extension. Otherwise, this option is ignored. The default is True.

sharpen the image.

Use a Gaussian operator of the given radius and standard deviation (sigma).

Shave pixels from the image edges.

The size portion of the geometry argument specifies the width of the region to be removed from both sides of the image and the height of the regions to be removed from top and bottom. Offsets are ignored.

See Image Geometry for complete details about the geometry argument.

Shear the image along the x-axis and/or y-axis.

The shear angles may be positive, negative, or zero. When Ydegrees is omitted it defaults to 0. When both angles are given, the horizontal component of the shear is performed before the vertical component.

Shearing slides one edge of an image along the x-axis or y-axis (i.e., horizontally or vertically, respectively),creating a parallelogram. The amount of each is controlled by the respective shear angle. For horizontal shears, Xdegrees is measured clockwise relative to "up" (the negative y-axis), sliding the top edge to the right when 0°<Xdegrees<90° and to the left when 90°<Xdegrees<180°. For vertical shears Ydegrees is measured clockwise relative to "right" (the positive x-axis), sliding the right edge down when 0°<Ydegrees<90° and up when 90°<Ydegrees<180°.

Empty triangles left over from shearing the image are filled with the color defined by the -background option. The color is specified using the format described under the -fill option.

The horizontal shear is performed before the vertical part. This is important to note, since horizontal and vertical shears do not commute, i.e., the order matters in a sequence of shears. For example, the following two commands are not equivalent.

$magick> convert logo: -shear 20x0 -shear 0x60 logo-sheared.png $magick> convert logo: -shear 0x60 -shear 20x0 logo-sheared.png

The first of the two commands above is equivalent to the following, except for the amount of empty space created; the command that follows generates a smaller image, and so is a better choice in terms of time and space.

$magick> convert logo: -shear 20x60 logo-sheared.png

increase the contrast without saturating highlights or shadows.

Increase the contrast of the image using a sigmoidal transfer function without saturating highlights or shadows. Contrast indicates how much to increase the contrast (0 is none; 3 is typical; 20 is a lot); mid-point indicates where midtones fall in the resultant image (0 is white; 50% is middle-gray; 100% is black). By default the image contrast is increased, use +sigmoidal-contrast to decrease the contrast.

operate silently.

set the width and height of the image.

Use this option to specify the width and height of raw images whose dimensions are unknown such as GRAY, RGB, or CMYK. In addition to width and height, use -size with an offset to skip any header information in the image or tell the number of colors in a MAP image file, (e.g. -size 640x512+256).

For Photo CD images, choose from these sizes:

  192x128
  384x256
  768x512
  1536x1024
  3072x2048

simulate a pencil sketch.

Sketch with the given radius, standard deviation (sigma), and angle. The angle given is the angle toward which the image is sketched. That is the direction people would consider the object is coming from.

Set the number of screen snapshots.

[import]

Use this option to grab more than one image from the X server screen, to create an animation sequence.

negate all pixels above the threshold level.

Specify factor as the percent threshold of the intensity (0 - 99.9%).

This option produces a solarization effect seen when exposing a photographic film to light during the development process.

color the given image using the specified points of color, and filling the other intervening colors using the given methods.

Method	Description
voronoi	Simply map each pixel to the to nearest color point given. The result are polygonal 'cells' of solid color.
shepards	Colors points basied on the ratio of inverse distance squared. Generating spots of color in a sea of the average of colors.
barycentric	three point triangle of color given 3 points. Giving only 2 points will form a linear gradient between those points. Gradient is however not restricted to just the triangle or line.
bilinear	Like barycentric but for 4 points. Less than 4 points fall back to barycentric.

The points are placed according to the images location on the virtual canvas (-page or -repage offset), and do not actually have to exist on the given image, but may be some point beyond the edge of the image. All points are floating point values.

Only the color channels defined by the -channel are modified, whcih means the matte/alpha transparency channel is not effected by default. If enabled, the image also needs a the matte/alpha channel to be enabled for this operator to effect an images transparency. This is typical transparency handling for images.

All the above methods when given a single point of color will replace all the colors in the image with the color given, regardless of the point. This is logical, and provides an alternative technique to recolor a image to some default value.

Splice the current background color into the image.

See Image Geometry for complete details about the geometry argument. See -background to reset the background color.

displace image pixels by a random amount.

The argument amount defines the size of the neighborhood around each pixel from which to choose a candidate pixel to swap.

hide watermark within an image.

Use an offset to start the image hiding some number of pixels from the beginning of the image. Note this offset and the image size. You will need this information to recover the steganographic image (e.g. display -size 320x256+35 stegano:image.png).

composite two images to create a stereo anaglyph.

[composite]

The left side of the stereo pair is saved as the red channel of the output image. The right side is saved as the green channel. Red-green stereo glasses are required to properly view the stereo image.

pixel storage type. Here are the valid types:

  char        store pixels as unsigned characters
  double      store pixels as doubles
  float       store pixels as floats
  integer     store pixels as integers
  long        store pixels as longs
  quantum     store pixels in the native depth of your ImageMagick distribution
  short       store pixels as unsigned shorts

Float and double types are normalized from 0.0 to 1.0 otherwise the pixels values range from 0 to the maximum value the storage type can support.

Set a type of stretch style for fonts.

This setting suggests a type of stretch that ImageMagick should try to apply to the currently selected font family. Select fontStretch from the following.

        Any
        Condensed
        Expanded
        ExtraCondensed
        ExtraExpanded
        Normal
        SemiCondensed
        SemiExpanded
        UltraCondensed
        UltraExpanded

To print a complete list of stretch types, use -list stretch.

For other settings that affect fonts, see the options -font, -family, -style, and -weight.

strip the image of any profiles or comments.

color to use when stroking a graphic primitive.

The color is specified using the format described under the -fill option.

See -draw for further details.

set the stroke width.

See -draw for further details.

Set a font style for text.

This setting suggests a font style that ImageMagick should try to apply to the currently selected font family. Select fontStyle from the following.

        Any
        Italic
        Normal
        Oblique

For other settings that affect fonts, see the options -font, -family, -stretch, and -weight.

Swap the positions of two images in the image sequence.

For example, -swap 0,2 swaps the first and the third images in the current image sequence. Use +swap to switch the last two images in the sequence.

swirl image pixels about the center.

Degrees defines the tightness of the swirl.

Mark the image as modified even if it isn't.

font for writing fixed-width text.

Specifies the name of the preferred font to use in fixed (typewriter style) formatted text. The default is 14 point Courier.

You can tag a font to specify whether it is a PostScript, TrueType, or OPTION1 font. For example, Courier.ttf is a TrueType font and x:fixed is OPTION1.

name of texture to tile onto the image background.

Apply simultaneous black/white threshold to the image.

Any pixel values (more specifically, those channels set using ‑channel) that exceed the specified threshold are reassigned the maximum channel value, while all other values are assigned the minimum.

The threshold value can be given as a percentage or as an absolute integer value corresponding to the desired channel value. When given as an integer, the minimum attainable value is 0 (corresponding to black when all channels are affected), but the maximum value (corresponding to white) is that of the quantum depth of the particular build of ImageMagick, and is therefore dependent on the installation. For that reason, a reasonable recommendation for most applications is to specify the threshold values as a percentage.

The following would force pixels with red values above 50% to have 100% red values, while those at or below 50% red would be set to 0 in the red channel. The green, blue, and alpha channels (if present) would be unchanged.

$magick> convert in.png -channel red -threshold 50% out.png

As (possibly) impractical but instructive examples, the following would generate an all-black and an all-white image with the same dimensions as the input image.

$magick> convert in.png -threshold 100% black.png $magick> convert in.png -threshold -1 white.png

Note that the values of the transparency channel is treated as 'matte' values (0 is opaque) and not as 'alpha' values (0 is transparent).

See also ‑black‑threshold and ‑white‑threshold.

Create a thumbnail of the image.

This is similar to -resize, except it is optimized for speed and any image profile, other than a color profile, is removed to reduce the thumbnail size. To strip the color profiles as well, add -strip just before of after this option.

See Image Geometry for complete details about the geometry argument.

Set the tile image used for filling a subsequent graphic primitive.

Specify the layout of images .

[montage]

See Image Geometry for complete details about the geometry argument.

Specifies that a subsequent composite operation is repeated across and down image.

[composite]

Specify the offset for tile images, relative to the background image it is tiled on.

This should be set before the tiling image is set by -tile or -texture, or directly applied for creating a tiled canvas using TILE: or PATTERN: input formats.

Internally ImageMagick does a -roll of the tile image by the arguments given when the tile image is set.

Tint the image with the fill color.

Tint the image with the fill color.

Specify the amount of tinting as a percentage. Pure colors like black, white red, yellow, will not be affected by -tint. Only mid-range colors such as the various shades of grey.

Assign a title to displayed image.

[animate, display, montage]

Use this option to assign a specific title to the image. This assigned to the image window and is typically displayed in the window title bar. Optionally you can include the image filename, type, width, height, Exif data, or other image attribute by embedding special format characters described under the -format option.

For example,

-title "%m:%f %wx%h"

produces an image title of MIFF:bird.miff 512x480 for an image titled bird.miff and whose width is 512 and height is 480.

transform the image.

This option applies the transformation matrix from a previous -affine option.

$magick> convert -affine 2,2,-2,2,0,0 -transform bird.ppm bird.jpg

Make this color transparent within the image.

The color argument is defined using the format described under the -fill option. The -fuzz setting can be used to match and replace colors similar to the one given.

The -opaque operator is exactly the same as -transparent but replaces the matching color same as the current -fill color setting.

This does not define the 'transparency color' used for color-mapped image formats, such as GIF. For that use -transparent-color

Use +opaque to invert the pixels matched, that is paint any pixel that does not match the target color, with the fill color.

Set the transparent color.

Sometimes this is used for saving to image formats such as GIF and PNG8 which uses this color to represent boolean transparency. This does not make a color transparent, it only defines what color the transparent color is in the color palette of the saved image. Use -transparent to make an opaque color transparent.

This option allows you to have both an opaque visible color, as well as a transparent color of the same color value without conflict. That is, you can use the same color for both the transparent and opaque color areas within an image. This, in turn, frees to you to select a transparent color that is appropriate when an image is displayed by an application that does not handle a transparent color index, while allowing ImageMagick to correctly handle images of this type.

The default transparent color is #00000000, which is fully transparent black.

Mirror the image along the top-left to bottom-right diagonal.

This option mathematically transposes the pixel array. It is equivalent to the sequence -flip -rotate 90.

Mirror the image along the images bottom-left top-right diagonal. Equivalent to the operations -flop -rotate 90.

tree depth for the color reduction algorithm.

Normally, this integer value is zero or one. A value of zero or one causes the use of an optimal tree depth for the color reduction algorithm.

An optimal depth generally allows the best representation of the source image with the fastest computational speed and the least amount of memory. However, the default depth is inappropriate for some images. To assure the best representation, try values between 2 and 8 for this parameter. Refer to the color reduction algorithm for more details.

The -colors or -monochrome option, or writing to an image format which requires color reduction, is required for this option to take effect.

trim an image.

This option removes any edges that are exactly the same color as the corner pixels. Use -fuzz to make -trim remove edges that are nearly the same color as the corner pixels.

The page or virtual canvas information of the image is preserved allowing you to extract the result of the -trim operation from the image. Use a +repage to remove the virtual canvas page information if it is unwanted.

If the trimmed image 'disappears' an warning is produced, and a special single pixel transparent 'missed' image is returned, in the same way as when a -crop operation 'misses' the image proper.

the image type.

Choose from: Bilevel, Grayscale, GrayscaleMatte, Palette, PaletteMatte, TrueColor, TrueColorMatte, ColorSeparation, ColorSeparationMatte, or Optimize.

Normally, when a format supports different subformats such as grayscale and truecolor, the encoder will try to choose an efficient subformat. The -type option can be used to overrride this behavior. For example, to prevent a JPEG from being written in grayscale format even though only gray pixels are present, use.

$magick> convert bird.png -type TrueColor bird.jpg

Similarly, use -type TrueColorMatte to force the encoder to write an alpha channel even though the image is opaque, if the output format supports transparency.

Use -type optimize to ensure the image is written in the smallest possible file size.

set the color of the annotation bounding box.

The color is specified using the format described under the -fill option.

See -draw for further details.

detect when image file is modified and redisplay.

Suppose that while you are displaying an image the file that is currently displayed is over-written. display will automagically detect that the input file has been changed and update the displayed image accordingly.

discard all but one of any pixel color.

the units of image resolution.

Choose from: Undefined, PixelsPerInch, or PixelsPerCentimeter. This option is normally used in conjunction with the -density option.

sharpen the image with an unsharp mask operator.

The -unsharp option sharpens an image. The image is convolved with a Gaussian operator of the given radius and standard deviation (sigma). For reasonable results, radius should be larger than sigma. Use a radius of 0 to have the method select a suitable radius.

The parameters are:

  radius:    The radius of the Gaussian, in pixels,  not counting the center
             pixel (default 0).
  sigma:     The standard deviation of the Gaussian, in pixels (default 1.0).
  amount:    The fraction of the difference between the original and the blur
             image that is added back into the original (default 1.0).
  threshold: The threshold, as a fraction of QuantumRange, needed to apply the
             difference amount (default 0.05).

print detailed information about the image when this option preceds the -identify option or info:.

print ImageMagick version string and exit.

FlashPix viewing parameters.

soften the edges of the image in vignette style.

Specify contents of virtual pixels.

This option defines what color source should be used if and when a color lookup completely 'misses' the source image. The color(s) that appear to surround the source image. Generally this color is derived from the source image, but could also be set to a specify background color.

Choose from these methods:

  background:           the area surrounding the image is the background color
  black:                the area surrounding the image is black
  checker-tile:         alternate squares with image and background color
  dither:               non-random 32x32 dithered pattern
  edge:                 extend the edge pixel toward infinity
  gray:                 the area surrounding the image is gray
  horizontal-tile:      horizontally tile the image, background color above/below
  horizontal-tile-edge: horizontally tile the image and replicate the side edge pixels
  mirror:               mirror tile the image
  random:               choose a random pixel from the image
  tile:                 tile the image (default)
  transparent:          the area surrounding the image is transparent blackness
  vertical-tile:        vertically tile the image, sides are background color
  vertical-tile-edge:   vertically tile the image and replicate the side edge pixels
  white:                the area surrounding the image is white

The default value is "edge".

This most important for distortion operators such as -distort, -implode, and -fx. However it also effects operations that may access pixels just outside the image proper, such as -convolve, -blur, and -sharpen.

To print a complete list of virtual pixel types, use the -list virtual-pixel option.

Animate images using this X visual type.

[animate, display]

Choose from these visual classes:

  StaticGray
  GrayScale
  StaticColor
  PseudoColor
  TrueColor
  DirectColor
  default
  visual id

The X server must support the visual you choose, otherwise an error occurs. If a visual is not specified, the visual class that can display the most simultaneous colors on the default screen is chosen.

Watermark an image using the given percentages of brightness and saturation.

[composite]

Take a grayscale image (with alpha mask) and modify the destination image's brightness according to watermark image's grayscale value and the brightness percentage. The destinations color saturation attribute is just direct modified by the saturation percentage, which defaults to 100 percent (no color change).

Shear the columns of an image into a sine wave.

Specify amplitude and wavelength of the wave.

Set a font weight for text.

This setting suggests a font weight that ImageMagick should try to apply to the currently selected font family. Use a positive integer for fontWeight or select from the following.

fontWeight	Description
All	No effect.
Bold	Same as fontWeight = 700.
Bolder	Add 100 to font weight if currently ≤ 800.
Lighter	Subtract 100 to font weight if currently ≤ 100.
Normal	Same as fontWeight = 400.

To print a complete list of weight types, use -list weight.

For other settings that affect fonts, see the options -font, -family, -stretch, and -style.

chromaticity white point.

Force to white all pixels above the threshold while leaving all pixels at or below the threshold unchanged.

The threshold value can be given as a percentage or as an absolute integer value within [0, QuantumRange] corresponding to the desired ‑channel value. See ‑threshold for more details on thresholds and resulting values.

Make the image the background of a window.

[animate, display]

id can be a window id or name. Specify root to select X's root window as the target window.

By default the image is tiled onto the background of the target window. If backdrop or -resize are specified, the image is surrounded by the background color. Refer to X RESOURCES for details.

The image will not display on the root window if the image has more unique colors than the target window colormap allows. Use -colors to reduce the number of colors.

specify the window group.

write an image sequence.

The image sequence preceding the -write filename option is written out, and processing continues with the same image in its current state if there are additional options. To restore the image to its original state after writing it, use the +write filename option.

Use -compress to specify the type of image compression.

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